Luigi Pizzaleo

SCORES

5 pieces for marimba DV 10022 28 Pages 24,90 Euro url.jpg PDF
La processione delle ore, for sib clarinet, violin, cello and piano DV 10023 24 Pages 18,90 Euro url.jpg PDF
La processione delle ore, for sib clarinet, violin, cello and piano (with set of parts) DV 10023P 24 Pages 38,90 Euro url.jpg PDF
Qais, majnoun Laila, for soprano, alto and alto flute, after the poem by Mahmoud Abu Hashhash DV 10024 20 Pages 18,90 Euro url.jpg PDF
Qais, majnoun Laila, for soprano, alto and alto flute, after the poem by Mahmoud Abu Hashhash  (with set of parts) DV 10024P 20 Pages 32,90 Euro  url.jpg PDF
Song of the dead beggar, for soprano and flute quartet DV 10025 32 pages 25,90 Euro url.jpg PDF
Song of the dead beggar, for soprano and flute quartet  (with set of parts) DV 10025P 32 pages 50,90 Euro  url.jpg PDF
Suite for string quintet DV 10026 44 Pages 32,90 Euro url.jpg PDF
Suite for string quintet (with set of parts) DV 10026P 44 Pages 56,90 Euro  url.jpg PDF

Profile

Official Website

Luigi Pizzaleo was born in Como (Italy) in 1971. After graduating in piano and Arts, he studied compostion with Edgar Alandia and Maurizio Gabrieli, then electronic music and composition with Michelangelo Lupone. His most recent activities as a composer are focused on new interfaces and intermedial works, as well as acousmatic and instrumental compositions performed in several important contemporary music festivals. Among the most noticeable results of his work as a researcher , may be mentionedthe Glass-harp, an instrument for electronic real-time improvisation, the Metis Inerface (a Tangible User Interface with a collection of applications for musical education, oriented to new musical languages) and OSQ, an Open Sound Control software interface/controller and recorder. He taught Electroacoustic Composition at the Conservatory of L’Aquila and music technologies in other italian Conservatories. After getting his PHD at the University of Florence, he published a study on MEV-Musica Elettronica Viva (LIM-Libreria Italiana di Musicologia, 2014) and other essays on electronic music in Rome. He holds a class of Analysis and History of Electronic Music at the Conservatory “Santa Cecilia” in Rome.

 

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s