007 Cover, G.ChiaramonteComposers:
Bach, Poulenc, Biscione, Mertz, D.Scarlatti, Tarrega, Barrios, Malischnig, Kleynjans


Giuseppe Chiaramonte, guitar

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From the booklet: “The ductile sound of the guitar has long been a cause of fascination, captivating audiences, interpreters and composers alike. Already Fernando Sor (1778-1839), in his Methode pour la guitare, had emphasized how, with proper technique, the guitar could faithfully evoke the timbre and modes of attack of many instruments in the orchestra. In the early twentieth century, as the impressionist trends came to be established also in music, the guitar stood out not so much, or not only, because of its innate ability to reproduce the sounds of other instruments, rather for the sombre poetic fullness of its sound, imbued with a sense of mystery and magic: it is no wonder that Federico García Lorca (1898-1936) was inspired to declare in his Poema de la siguiriya gitana, that «La guitarra hace llorar a los sueños». By Leonardo de March TRACKLIST

Johann Sebastian Bach (1685-1750)
[1] Sarabande, from Partita BWV 1004
Francis Poulenc (1899-1963)
[2] Sarabande
Federico Biscione (b.1965)
[3] Sarabanda e Giga (First World Recording)
Johann Kaspar Mertz (1806-1856)
[4] Le Carnaval de Venise op. 6
[5] Le Gondolier op. 65 n. 3
[6] Elegie
[7] Tarantelle, from Bardenklänge op. 13
Domenico Scarlatti (1685-1757)
[8] Sonata in A Major K.208 (arr.Barrueco-Chiaramonte)
Francisco Tarrega (1852-1909)
[9] Recuerdos de la Alhambra
Augustín Pío Barrios Mangoré (1885-1944)
[10] Preludio Saudade, from La Catedral
Julia Malischnig (b.1976)
[11] Tassilo im Himmel
Francis Kleynjans (b.1951)
[12] Fado, from Coin des guitaristes Op.119

+Bonus Track


  • Label: Da Vinci Classics
  • Genre: Chamber Music
  • Period: 19th Century
  • Catalogue No: C00007
  • Barcode: 0806810877937

Design and art direction by 一般社団法人 Osaka Mozart Association
Produced by 一般社団法人 Osaka Mozart Association
The copyright in this sound recording and artwork is owned by Osaka Mozart Association


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