Galaxies, for orchestra

Galaxies, for orchestra

€20,90

Shipping cost not included

Templos, for high flute, english horn, bass clarinet, violín, viola, violonchelo, percussion and piano or celesta

DV 10271 44 Pages Contemporary

€35,90

Shipping cost not included

La Hiedra, for voice recited, tuba, piano and vibraphone

DV 10243 16 Pages Contemporary

€14,90

Shipping cost not included

Narciso, small ballet scene for high flute, harpsichord, two flamenco guitars and cane

DV 10269 12 Pages Contemporary

€12,90

Shipping cost not included

Athena’s soldier, madrigal for eight voices a cappella

DV 10270 20 Pages Contemporary

€15,90

Shipping cost not included

Clouds, for string quartet

DV 10236 60 pages Contemporary

€41,90

Shipping cost not included

Selvalanza, for piano 4 hands

DV 10239 12 Pages Contemporary

€12,90

Shipping cost not included

Oh, Fortuna, poem for piano

DV 10242 12 Pages Contemporary

€12,90

Shipping cost not included

Introspection, for vibraphone

DV 10237 12 Pages Contemporary

€12,90

Shipping cost not included

David Ruiz Molina is a native of Madrid, Spain. He developed his professional career in music as a composer recognized with accredited experience in genres such as contemporary, pop, film and sacred music and a producer of phonographic mediums. His career path has led him to be a professor of Fundamentals of Composition, Harmony and Musical Analysis in a number of conservatories and has taught music in elementary and secondary schools.

In 2003 he earned the highest degree in Composition, at The Royal Conservatory of Music in Madrid, under the guidance of Professor Miguel Grande. In 2010, The Conservatory of Music of Aragón selected him to be a student for the postgraduate studies of Composition under the tutelage of Professor Jesús Rueda. The SGAE, which is the General Society of Authors and Publishers, selected him in 2005 as a student for the Seventh Course of Music for Film, with renowed composers as Patrick Doyle, Stephen Warbeck, Antonio Melibeo, Eduardo Armenteros, José Miguel Martínez, Roque Baños, Eva Gancedo and filmmakers as Carlos Saura and Rafael Gordon. David completed his training in a masterclass with noted composers Joan Ginjoan, Jesús Villa Rojo, Agustí Charles, Ivan Fedele, Philippe Hurel, Hector Parra and others. He received his Master’s Degree in Cultural Management at the Open University of Catalonia in 2015; a degree in Music Education in 2001 and became Professor of Music Theory in 2000. Currently, studying a PhD Program in Heritage from the University of Córdoba.

His compositional language has great conceptual richness, content density, characterized with a neo-symbolist aesthetic. All created with his own personal traits. He is the father of “Evolutionary Syncretism” in composition: <<It is not just musical fusion, where the elements are moved from a conventional use to a space that is not yours. Syncretism is because two or more linguistic elements arise and create a new form of expression. This inspires elements and transforms or reinterpret to fit or generate new elements. The syncretism can draw on the fusion elements, but this is not its purpose. This resource is not original, since all the aesthetic-artistic history of mankind is replete with examples. Moreover, I defend their regenerative power as a real engine and justification of contemporaneity. Since if this is understood as the latest created, we must be aware and recognize that the man reinvents more than invents, new discoveries are almost always a new reinterpretation, or deliberate search for contrast to its immediate past… and with luck, random. The individual perspective of each composer always creates a new approach, because there lies the “originality” in each new work created>>.

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