Ave Maria, Sì, scordar saprò l’infido, Sul fil d’un soffio etesio, Mercé, dilette amiche, Saper vorreste (Aria di Oscar), Non so le tetre immagini, Caro nome, Addio, del passato E’ strano!…Sempre libera degg’io
Is one of the leading-edge stars of Italian opera in the light lyrical repertoire, and is outstanding for her technique and passion for music. Born in Palermo, she studied violin and piano before beginning, at the age of 16, to extend her study of singing with her mother and, in Rome, with Margaret Baker Genovesi. At the tender age of 19 she debuted as Barbarina in The Marriage of Figaro in Salzburg Festival, singing for the first time in Italy in 1997 at the opening of the season at the Regio di Parma Theatre (L’Arlesiana de Cilèa). Since then, and in spite of her youth, she has become a habitué in the foremost theatres in Europe and Asia, while accumulating prizes such as the Ibla de Ragusa Award (1995) the Vincenzo Bellini de Caltanissetta Prize (1995) and the Maria Caniglia de Sulmona Award (1996).
At the age of 20 she returned to Salzburg Festival to sing in Die entführung aus dem serail, which marked the beginning of a fruitful collaboration with the Austrian event, performing numerous concerts in the Salzburg Mozarteum and singing in operas like Don Carlo (conducted by Lorin Maazel), Jeanne d’Arc au Bûcher (Honegger) and Piramo e Tisbe (with Europa Galante Orchestra conducted by Fabio Biondi). At the age of 21 she debuted in the Massimo di Palermo Theatre (Sophie in Der Rosenkavalier), in the Accademia Nazionale di Santa Cecilia (Mahler’s 2nd Symphony) and sang her first Olympia in Les contes d’Hoffmann (Catania), one of the most gratifying roles that she has sung, having performed it in the Opéra National in Paris, the Royal Opera House, Covent Garden in London, Zurich Ópera House, Massimo di Palermo Theatre, Rome Opera House, The Regio Theatre in Turin and Parma, The Toulouse Théâtre du Capitole, the Teatro Real in Madrid, la Scala in Milan, the Sferisterio di Macerata and the Orange Opera Festival. She debuted her Olympia in Vienna, returning to the Staatsoper with Rigoletto and Puritani while in Paris she also performed in the operas L’enfant et les sortilèges, Parsifal and The Magic Flute –recorded on DVD (Arthaus Musik), her Nannetta from Falstaff which she debuted in Covent Garden also went down in posterity on DVD (BBC).
Another one of the roles which has elevated Desirée Rancatore to the highest echelons of the international opera scene is Gilda from Rigoletto, which she has performed in Melbourne, San Francisco, Las Palmas de Gran Canaria, Tokyo, Venice, Mexico, Vienna, Arena di Verona, Parma, Beijing, Florence, Zurich, and this year (2017) in Barcelona, which performance was also live streamed into Europe’s main theatres. She debuted in the lead role in Lucia di Lammermoor in the Donizetti Theatre in Bergamo in the 2005-06 season, later doing a tour of Japan in this role, which included Tokyo, one of her favourite places. She sang the role again in the Oviedo Opera House, in the Zurich Opera House, the Comunale in Bologna, the Cilèa in Reggio Calabria and in the Comunale in Ferrara.
Another of her best-loved roles is Adina from L’elisir d’amor, which she debuted in Laurent Pelly’s production at the Bastille Opera House in Paris and which she performed again in the Lirico Theatre in Cagliari and in La Fenice in Venice in a historic performance in which it was she who had to give an encore of her aria after the clamorous applause of the audience, (not Nemorino, which is usual). After debuting as the Queen of the Night in The Magic Flute in Paris, she also sang the role in Rome and Cagliari, and also received warm reviews for Il viaggio a Reims in the Bologna Comunale, in the Carlo Felice in Genoa and in the Théâtre de La Monnaie in Brussels. Another of her great roles is the lead in Delibes’ Lakmé, which she has sung in Palermo, the Campoamor in Oviedo and in the Bunka Kaikan in Tokyo.
The role of Konstanze in Die entführung aus dem serail, which she sang for the first time in the Petruzzelli Theatre in Bari, was also her triumphant calling card at the Teatro Real in Madrid (2006), and in Palermo and Cagliari.
In December 2004, at the reopening of La Scala in Milan, she sang the role of Sémele in Salieri’s L’Europa riconosciuta, conducted by Riccardo Muti, with whom she travelled to Paris to sing Carmina Burana with the National Orchestra of France. She was invited to open the 2005-6 season at the Bologna Comunale in a new production n of Ascanio in Alba and in October 2008 she made her debut as Elvira in Bellini’s I Puritani in Palermo with which she also travelled to the Palacio de la Opera in La Coruña and the Wiener Staatsoper. In 2010 she sang the role of Amina from La Sonnambula for the first time in Las Palmas de Gran Canaria.
She has performed in festivals in Wiesbaden (Lucia di Lammermoor), and Valle d’Itria de Martina Franca (Les Huguenots), in the Umbria Music Festival (Stabat Mater de Pergolesi), and in the Rossini Opera Festival in Pesaro (where she debuted in 2006 as Fanny in La cambiale di matrimonio and where she returned in 2010 to perform in the opening concert of a cycle of bel canto), in Cincinnati Festival (Christ on the Mount of Olives, by Beethoven, conducted by James Conlon), the Savonlinna Opera Festival (I Puritani), in the Radio France Festival and Montpellier (Piramo e Tisbe and Stabat Mater).
In 2012 she is once again interpreting Donizetti’s characters singing the role of Marie in La fille du regiment at La Scala in Milano but also Madrid and Paris. In Paris she also debut the role of Norina in Don Pasquale under the direction of Enrique Mazzola at the Theatre des Champs Elysées. She sings in Liverpool directed by Ottavio Dantone alongside with the Liverpool Philarmonic Orchestra. She makes her debut in Bizet’s Les pêcheurs de perles directed by Daniel Oren.
In 2013 she sings the role of Violetta all around Europe (Palermo, Vienna, Madrid, Genova) and Japan in Giuseppe Verdi’s La Traviata, also making her first appearance at the Montecarlo’s Operà with the direction of Marco Armiliato. She is the first ever to sing the role of Violetta at the new Muscat Theatre in Oman.
In 2014 she’s once again called by Laurent Pelly for the role of La Comtesse Adèle in Rossini’s Le Compte Ory, directed by Stefano Montanari at the Lyon Operà.
Among the numerous prizes she has received for her work, outstanding awards include the Ester Mazzoleni Special Prize, 2008, and the International “Mimosa d’Oro” Prize, 2008, which was bestowed by the City of Agrigento. In 2010 she was awarded the first Opera Oscar for the most popular soprano by the Verona Arena and it was in this same city that she won the Zenatello Prize for the best soprano in 2008.
Her recordings include El rapto en aus dem Serail with Sir Charles Mackerras and the Scottish Chamber Orchestra; the film Mozart in Turkey shot in the Topkapi Palace in Istanbul; Die Zauberflöte in the Paris Opera House; and CDs for Dynamic (Les Huguenots, Lucia di Lammermoor, La cambiale di matrimonio, Les contes d’Hoffmann), Bongiovanni (Ascanio in Alba), Arthaus Musik (Die Vögel, Die entführung aus dem serial-hangar 7), TDK (Die Zauberflöte, Les contes d’Hoffmann), Naxos (Lucia di Lammermoor, La cambiale di matrimonio), and Brilliant(Les Pecheurs de perles).