CD

Rossini: Gioachino: OVERTURES, Piano Transcriptions (Crisiana Pegoraro)

Il Barbiere di Siviglia, Il signor Bruschino, L’italiana in Algeri, Demetrio e Polibio, La gazza ladra, La Cenerentola, La scala di seta, Semiramide

€18,00

SCORES

Il Barbiere di Siviglia, overture for wind quintet

(Arranged by Silvano Scanziani) DV 20638 28 Pages Romantic

€22,90

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Il Barbiere di Siviglia, overture for wind quintet (set of parts)

(Arranged by Silvano Scanziani) DV 20638P 32 Pages Romantic

€20,90

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Il Signor Bruschino, overture for wind quintet

(Arranged by Silvano Scanziani) DV 20635 28 Pages Romantic

€22,90

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Il Signor Bruschino, overture for wind quintet (set of parts)

(Arranged by Silvano Scanziani) DV 20635P 20 Pages Romantic

€15,90

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Il Turco in Italia, overture for wind quintet

(Arranged by Silvano Scanziani) DV 20639 32 Pages Romantic

€25,90

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Il Turco in Italia, overture for wind quintet (set of parts)

(Arranged by Silvano Scanziani) DV 20639P 34 Pages Romantic

€20,90

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La Cenerentola, overture for wind quintet

(Arranged by Silvano Scanziani) DV 20640 28 Pages Romantic

€22,90

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La Cenerentola, overture for wind quintet (set of parts)

(Arranged by Silvano Scanziani) DV 20640P 32 Pages Romantic

€20,90

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La Scala di Seta, overture for wind quintet

(Arranged by Silvano Scanziani) DV 20636 28 Pages Romantic

€22,90

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La Scala di Seta, overture for wind quintet (set of parts)

(Arranged by Silvano Scanziani) DV 20636P 23 Pages Romantic

€15,90

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5 Duets, for 2 tubas (1806)

(Rev.Angelo Piazzini) DV 20510 12 Pages Romantic

€12,90

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(b Pesaro29 Feb 1792d Passy, 13 Nov 1868). Italian composer. No composer in the first half of the 19th century enjoyed the measure of prestige, wealth, popular acclaim or artistic influence that belonged to Rossini. His contemporaries recognized him as the greatest Italian composer of his time. His achievements cast into oblivion the operatic world of Cimarosa and Paisiello, creating new standards against which other composers were to be judged. That both Bellini and Donizetti carved out personal styles is undeniable; but they worked under Rossini’s shadow, and their artistic personalities emerged in confrontation with his operas. Not until the advent of Verdi was Rossini replaced at the centre of Italian operatic life.

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