Private Pattering Project addresses three micro topics such as noise, dust and crumbs and positions themselves between the visible and the invisible, between the audible and the unheard.
The compositions are a point of view in which it converges pure sound on a base of sound objects, an archive of low or hi-fi samples, electronic or acoustic, objects and “intonarumori”, a cut and paste reorganized by Gianluca Codeghini in more than thirty years of samples.
The trumpet and live electronics dialogue by creating an impromptu narrative structure.
Too much noise is simply entropic and destructive, but it’s never enough.
The dust is ordered and obeys in a simple way, with its silent noise it does not yield to defamation.
The crumbs are the scrapings and shavings of an argument, cut up into little bits.