I am particularly pleased to introduce the first album devoted to my chamber music for clarinet and piano. The project grew from close collaboration with my friends and colleagues Sergio Bosi and Riccardo Bartoli, allowing us to capture the compositional spirit of the entire programme as faithfully as possible. Every technical and musical aspect was considered as part of a group of pieces intended to create a unified listening experience.
The programme covers an extensive period and several compositional styles, from the formal character of the Sonata to the jazzy verve of Clarinettomania, through the lyrical writing of works such as Pagina d’album, Theme for Clarinet and Romanza. Most of these compositions receive their first recording here: a courageous choice for which I am especially grateful to the publisher.
Sonata for Clarinet and Piano (2016)
Dedicated to my composition teacher Mario Perrucci, the Sonata has three movements: Allegro tristemente, Andante dolcemente and Allegro con fuoco. They are linked by a single thematic cell that generates the entire work.
The Dancing Doll (2013)
The principal theme comes from an earlier suite for concert band, The Trunk of Games. It is a sweet, lyrical melody, rich in expression, alternating wide intervals with stepwise movement.
Valzer e Giga (2017)
This work is distinguished by its use of irregular metres. The waltz is built on a theme in 5/4, alternating with the conventional 3/4, while the gigue moves between 11/8, 10/8 and 5/8.
Adagio e Tarantella (2017)
The title recalls Ernesto Cavallini’s celebrated work, paying tribute to the great Italian clarinettist and composer on the 210th anniversary of his birth.
Theme for Clarinet (2016)
Originally composed for trumpet and band, the work was subsequently revisited in this version for clarinet and piano. It is performed on the clarinet in A.
Romanza (2012)
This piece derives from an earlier version for flute and strings. Its minor-key writing and cantabile theme give it a particularly intense, expressive colour.
Clarinettomania (2015)
The composition draws on ragtime, with the piano’s strongly marked rhythm supporting acrobatic, exceptionally rapid melodic lines in the clarinet.
Fantasy (2013)
This single-movement work follows a three-part ABA form. It is based entirely on one thematic cell, used in the minor mode in the opening and closing Moderato sections and in the major mode in the central section.
Executive (2010)
Dedicated to Sergio Bosi and Riccardo Bartoli, this work also follows an ABA form. The clarinet’s opening theme provides the cell from which all subsequent themes are generated.
Adagio (2014)
Initially conceived for clarinet and strings, the work quotes the beginning of the Adagio from Wolfgang Amadeus Mozart’s Clarinet Concerto.
Pagina d’album (2007)
Composed for the G. Mensi Clarinet Competition, the piece is characterised by simple lines and a lyrical melody. It is among the best-known compositions on this recording, performed worldwide by young clarinettists and established interpreters alike.
Ave Maria (2016)
The work returns to a theme first written for strings in 2006, which was subsequently used in an Ave Maria for solo voice and strings.
Intermezzo (2013)
Commissioned by the clarinettist Seunghee Lee, to whom it is dedicated, the work exists both in this version with piano and in a more extended version for clarinet and strings.
Jewish Suite (2015)
Originally composed for concert band, the suite consists of four movements linked by C minor. All its thematic material is based on melodies of Jewish origin. In this recording, the opening Maestoso and Moderato are grouped in a single track.
Album notes by Michele Mangani. Original English translation by Fabiana Binarelli, revised for this complete online edition.