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Michele Mangani: Memories from Heaven

Sergio Bosi, Riccardo Bartoli

C001041 CdClarinet, Piano

Physical and Digital Release: 20 April 2018

Sergio Bosi and Riccardo Bartoli explore Michele Mangani's music for clarinet and piano, bringing together lyrical reflection, instrumental dialogue and contrasting musical characters.

13.67€

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Memories from Heaven · 21 tracks

  1. 01Sonata for Clarinet and Piano: I. Allegro tristementeMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano3:02
  2. 02Sonata for Clarinet and Piano: II. Andante dolcementeMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano3:24
  3. 03Sonata for Clarinet and Piano: III. Allegro con fuocoMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano3:46
  4. 04The Dancing DollMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano2:47
  5. 05Valzer e giga: No. 1, ValzerMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano1:37
  6. 06Valzer e giga: No. 2, GigaMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano3:26
  7. 07Adagio e tarantella: No. 1, AdagioMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano3:28
  8. 08Adagio e tarantella: No. 2, TarantellaMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano2:50
  9. 09Theme for ClarinetMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano3:43
  10. 10RomanzaMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano4:25
  11. 11ClarinettomaniaMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano2:20
  12. 12FantasyMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano7:31
  13. 13ExecutiveMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano5:07
  14. 14AdagioMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano6:37
  15. 15Pagina d'albumMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano3:28
  16. 16Ave MariaMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano2:18
  17. 17IntermezzoMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano3:44
  18. 18Jewish Suite: I. Maestoso - ModeratoMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano1:55
  19. 19Jewish Suite: II. Andante cantabileMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano1:54
  20. 20Jewish Suite: III. AllegrettoMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano1:31
  21. 21Jewish Suite: IV. AllegroMichele Mangani · Sergio Bosi, clarinet; Riccardo Bartoli, piano2:15

Track order and durations verified on Apple Music and Deezer.

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ArtistsSergio Bosi, Riccardo BartoliBiographies

Riccardo Bartoli graduated with the highest marks and honours from the Gioachino Rossini Conservatory in Pesaro. He continued his piano studies with Aldo Ciccolini and Sergio Fiorentino, winning prizes in national and international competitions. His qualifications also include the Diplôme Supérieur d’Exécution, awarded unanimously by the jury at the École Normale de Musique Alfred Cortot in Paris, a Diploma of Merit from the Accademia Chigiana in Siena, and a degree in music from the University of Bologna.

As a soloist and chamber pianist, he has performed extensively in Italy, France, Germany, Belgium, Sweden, Norway, the United States and China. He has recorded for RAI and made CDs for Naxos, Arcam and Bongiovanni. His recordings have received recognition from the international music press, including Fanfare in the United States, Diapason in France and Italian specialist magazines. CD Classica selected his Carl Reinecke recording as CD of the Month, with an artistic assessment of “Exceptional”.

Alongside his performing career, he has taught piano at the Gioachino Rossini Conservatory in Pesaro, where his teaching responsibilities have included practical keyboard skills.

Sergio Bosi began studying music at an early age, graduating at sixteen and winning numerous international competitions as both a soloist and chamber musician. His career has included serving as principal clarinet of FORM–Orchestra Filarmonica Marchigiana and teaching clarinet at the Gioachino Rossini Conservatory in Pesaro.

A specialist in Italian repertoire, he has recorded numerous CDs as a featured artist for Naxos, Bongiovanni, Arcam-Cambridge and Mondomusica EMI. He has been invited to international clarinet congresses and has given masterclasses at institutions including Madrid’s Real Conservatorio Superior de Música, the Zhejiang Conservatory of Music and music institutions in Vienna, Ghent and Castellón.

He edits the Rare Italian Clarinet Music series for Eufonia, preparing editions of important works, including a critical edition of the manuscript of Gioachino Rossini’s Variazioni in Do and Aurelio Magnani’s complete music for clarinet and piano. He is a Buffet Crampon and Vandoren Paris artist.

ComposersMichele ManganiBiographies

Born in Urbino in 1966, Michele Mangani earned diplomas in clarinet, band instrumentation, composition and conducting at the Gioachino Rossini Conservatory in Pesaro, and in choral music and choir conducting at the Giovan Battista Martini Conservatory in Bologna. In 1996 he won the national competition for conductor of the Italian Army Band, and he has received numerous national and international distinctions.

His compositions have been performed and recorded internationally by soloists, orchestras and bands. These include clarinettists Wenzel Fuchs of the Berlin Philharmonic, Corrado Giuffredi of the Orchestra della Svizzera Italiana and Ricardo Morales of the Philadelphia Orchestra, and bassoonist Patrick de Ritis of the Vienna Symphony. Ensembles that have performed his music include the Italian Army Band, the Italian Navy Band, the Guardia di Finanza Band, the Bulgarian National Radio Symphony Orchestra, the Brussels Philharmonic, the Spanish National Youth Orchestra, the Lausanne Sinfonietta and the wind octet of Teatro alla Scala.

By the time of this recording’s original publication, his output comprised more than five hundred works, published by Edizioni Musicali Eufonia. His compositions have often been chosen as compulsory pieces in performance competitions, where he has also served as a jury member or chairman.

His professional appointments have included conducting the Marche Wind Orchestra and teaching wind ensemble music at the Gioachino Rossini Conservatory in Pesaro. In March 2017 he became director of the Accademia della Cappella Musicale del Santissimo Sacramento in Urbino.

Album notes

I am particularly pleased to introduce the first album devoted to my chamber music for clarinet and piano. The project grew from close collaboration with my friends and colleagues Sergio Bosi and Riccardo Bartoli, allowing us to capture the compositional spirit of the entire programme as faithfully as possible. Every technical and musical aspect was considered as part of a group of pieces intended to create a unified listening experience. The programme covers an extensive period and several compositional styles, from the formal character of the Sonata to the jazzy…

Read the complete album notesClose full notes

I am particularly pleased to introduce the first album devoted to my chamber music for clarinet and piano. The project grew from close collaboration with my friends and colleagues Sergio Bosi and Riccardo Bartoli, allowing us to capture the compositional spirit of the entire programme as faithfully as possible. Every technical and musical aspect was considered as part of a group of pieces intended to create a unified listening experience.

The programme covers an extensive period and several compositional styles, from the formal character of the Sonata to the jazzy verve of Clarinettomania, through the lyrical writing of works such as Pagina d’album, Theme for Clarinet and Romanza. Most of these compositions receive their first recording here: a courageous choice for which I am especially grateful to the publisher.

Sonata for Clarinet and Piano (2016)

Dedicated to my composition teacher Mario Perrucci, the Sonata has three movements: Allegro tristemente, Andante dolcemente and Allegro con fuoco. They are linked by a single thematic cell that generates the entire work.

The Dancing Doll (2013)

The principal theme comes from an earlier suite for concert band, The Trunk of Games. It is a sweet, lyrical melody, rich in expression, alternating wide intervals with stepwise movement.

Valzer e Giga (2017)

This work is distinguished by its use of irregular metres. The waltz is built on a theme in 5/4, alternating with the conventional 3/4, while the gigue moves between 11/8, 10/8 and 5/8.

Adagio e Tarantella (2017)

The title recalls Ernesto Cavallini’s celebrated work, paying tribute to the great Italian clarinettist and composer on the 210th anniversary of his birth.

Theme for Clarinet (2016)

Originally composed for trumpet and band, the work was subsequently revisited in this version for clarinet and piano. It is performed on the clarinet in A.

Romanza (2012)

This piece derives from an earlier version for flute and strings. Its minor-key writing and cantabile theme give it a particularly intense, expressive colour.

Clarinettomania (2015)

The composition draws on ragtime, with the piano’s strongly marked rhythm supporting acrobatic, exceptionally rapid melodic lines in the clarinet.

Fantasy (2013)

This single-movement work follows a three-part ABA form. It is based entirely on one thematic cell, used in the minor mode in the opening and closing Moderato sections and in the major mode in the central section.

Executive (2010)

Dedicated to Sergio Bosi and Riccardo Bartoli, this work also follows an ABA form. The clarinet’s opening theme provides the cell from which all subsequent themes are generated.

Adagio (2014)

Initially conceived for clarinet and strings, the work quotes the beginning of the Adagio from Wolfgang Amadeus Mozart’s Clarinet Concerto.

Pagina d’album (2007)

Composed for the G. Mensi Clarinet Competition, the piece is characterised by simple lines and a lyrical melody. It is among the best-known compositions on this recording, performed worldwide by young clarinettists and established interpreters alike.

Ave Maria (2016)

The work returns to a theme first written for strings in 2006, which was subsequently used in an Ave Maria for solo voice and strings.

Intermezzo (2013)

Commissioned by the clarinettist Seunghee Lee, to whom it is dedicated, the work exists both in this version with piano and in a more extended version for clarinet and strings.

Jewish Suite (2015)

Originally composed for concert band, the suite consists of four movements linked by C minor. All its thematic material is based on melodies of Jewish origin. In this recording, the opening Maestoso and Moderato are grouped in a single track.

Album notes by Michele Mangani. Original English translation by Fabiana Binarelli, revised for this complete online edition.

Reviews

Selected awards, reviews and interviews. Radio broadcasts and podcasts are listed separately below.

More selected reviews

The Clarinet

Review · Christopher Nichols · December 2018

A positive assessment of Sergio Bosi's expressive phrasing, brilliant technique and command of the upper register, with Riccardo Bartoli's sensitive partnership. The reviewer recommends the recording while wishing for greater stylistic contrast across the complete programme.

Read the review ↗ - The Clarinet

Radio & Podcasts

Broadcasts, conversations and listening features dedicated to this recording.

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Radio UNAM

Radio

An official Radio UNAM programme listing identifies music from Mangani's Memories from Heaven, performed by Sergio Bosi and Riccardo Bartoli. The broadcast date is not assigned here because the page's dating is inconsistent.

Explore the broadcast ↗ - Radio UNAM

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Recording details

Music & contributors

Composer(s)
Michele Mangani
Instrumentation
Clarinet, Piano

Publication

Format
1 Cd
Recording credits
Recorded at Teatro Raffaello Sanzio, Urbino, Italy, 1–3 April 2017. Producer, recording engineer and editor: Sergio Bosi. Original album notes: Michele Mangani. Cover image: Autumn Leaf with Sun. With thanks to the City of Urbino for its support. Production, design and art direction: OMK–Da Vinci. Printed with the support of S.P.L.M.