International press, radio and digital promotion, shaped around the repertoire and the artist.
Our work connects recordings with the people who write about music, programme it and introduce it to new listeners. Editorial preparation and personal contact are at the centre of that work.
PROMOTIONAL ACTIVITIES
Press relations, listening materials and digital content serve different purposes. They can be brought together in a campaign defined around the character of the album and its intended audience.
Selected journalists, magazines, webzines and radio producers are approached for the specific project. The repertoire, performers and editorial angle guide the selection.
The Communication and Promotion Office provides dedicated personal contact for the agreed campaign. The selection is discussed with the artist before activation, with territories, methods and timing defined for that project.
Albums are supplied to relevant professional outlets that work with physical releases. Additional shipping campaigns can extend this activity, including selected recipients in the United States.
The number and type of recipients are agreed with the artistic direction. Physical delivery and digital materials complement one another according to the needs of each outlet.
Recordings and supporting material are made available for professional listening and editorial assessment, with direct exchanges around the needs of the publication or programme.
Digital promotional copies are supplied to journalists, broadcasters and media professionals who request them. The dedicated office follows the exchanges that form part of its agreed assignment.
A dedicated presentation brings the complete album, high-definition audio, booklet and editorial introduction into one coherent space for media professionals.
The contractual Digital Card option provides circulation to an international selection of up to 1,500 media contacts. This is the scope of that option, rather than the size of the working research directories.
The presentation gives a listener or editor the musical context of the project: what is being recorded, why it matters and what distinguishes the interpretation.
The Digital Card keeps the introduction and booklet alongside the recording, allowing the release to be evaluated as a complete artistic project.
Audio, cover artwork, booklet and project information are organised together, reducing fragmented exchanges and giving professional recipients a clear point of reference.
Listening and download access is supplied directly to the intended recipients. The examples on this page illustrate the presentation without exposing the professional access link.
Campaigns through the official channel support a static album video prepared by the company or a promotional video supplied by the artist, with duration and scope agreed for the project.
Through an external agency, selected tracks are pitched to classical and related playlists according to the music being promoted. The tracks and campaign scope are agreed separately.
The dedicated option provides ten short promotional videos for coordinated use on the artist’s and Da Vinci’s Instagram pages. A paid placement on a selected video may be added separately.
The recording agreement includes basic promotion: five to six physical review copies, digital copies on professional request, and communication of the release. The additional activities above are available according to the project and the agreed campaign. Recording agreement ↗
INTERNATIONAL MEDIA RESEARCH
Our working master brings together classical and jazz media across countries and regions. It distinguishes media type, instrumental interests, repertoire, editorial roles and the person to approach.
Working directory, 7 October 2026. Records may include several people at one outlet; these figures are not counts of unique publications, active partnerships or published results. The master is being reviewed.
01 / GEOGRAPHIC DIRECTORY
France · Germany · Italy · Spain · United Kingdom · Netherlands · Luxembourg
Specialist music journals, opera publications, public radio and cultural desks.
Examples of territories represented in the working master.
02 / GEOGRAPHIC DIRECTORY
United States · Canada
National publications and local radio, with contacts organised by state and region.
Examples of territories represented in the working master.
03 / GEOGRAPHIC DIRECTORY
Brazil · Argentina · Mexico · El Salvador · Chile
Cultural broadcasting, specialist publications and regional music media.
Examples of territories represented in the working master.
04 / GEOGRAPHIC DIRECTORY
Japan · China · Hong Kong · South Korea · India · Vietnam
Music criticism, cultural media and specialist editorial contacts across distinct markets.
Examples of territories represented in the working master.
05 / GEOGRAPHIC DIRECTORY
South Africa · Egypt · Morocco · Kenya · Israel · United Arab Emirates
Cultural editors, broadcasters and music publications selected for the project.
Examples of territories represented in the working master.
06 / GEOGRAPHIC DIRECTORY
Australia · New Zealand · Fiji
Music journalism, cultural publications and radio contacts.
Examples of territories represented in the working master.
THE PERSONAL APPROACH
The value of a dedicated campaign lies in the individual exchange. A recording of a rediscovered opera, a contemporary piano programme and a jazz release call for different editorial conversations.
Identify the repertoire, performers, research and artistic choices that give the recording its character.
Match the project with the publication or programme, and identify the relevant editor, critic or producer.
Present the project personally, supplying the listening material and documentation needed for evaluation.
Respond to requests, coordinate digital or physical copies and record the progress of the editorial conversation.
Selection goes beyond geography. The subject of the recording helps determine who should receive it and which material will be most useful.
MATERIALS IN PRACTICE
A professional recipient can encounter the project as a whole: the music, the artist and the editorial material. These images show an actual Da Vinci presentation.
A dedicated introduction sits alongside the album’s listening and documentary materials. This gives journalists and broadcasters the context needed to approach the music.
SELECTED PRESS & RADIO COVERAGE
Published reviews and features provide a concrete view of international circulation. These examples show the range of publications, languages and editorial perspectives encountered through our work.
Forum Opéra
“Une heureuse découverte, qui réjouira tous ses auditeurs.”
Yvan Beuvard
Read an example ↗Interlude
“The singers […] bring authoritative voices in Baroque music and fill the roles beautifully.”
Editorial feature
Read an example ↗Melómano
A five-star review published in Spain.
Jaume Darbra · five-star review
Read an example ↗Pizzicato
A review of the recording, published in German and English.
Norbert Tischer
Read an example ↗OpusKlassiek
A detailed critical discussion of the recording and its interpretation.
Aart van der Wal
Read an example ↗Music Voice
An extended article examining the recording and its musical context.
Published coverage
Read an example ↗These publications and broadcasts are documented in our promotional records. Editorial coverage remains the independent decision of each publication or broadcaster. Campaign scope and tools are agreed individually.
For listening materials, review copies and information about our recordings, contact the press office.
press@davinci-edition.comPromotional activity is discussed in relation to the recording, its intended audience and the scope of the project.
Recording agreements ↗