Album notes by Roberto Laneri.
I founded this quartet in 2016 both to bring new compositions to life and to revisit older ones, some dating back to the 1970s. This repertoire finds common ground in jazz, although it takes different and sometimes roundabout routes to reach it: after all, the roads to jazz can be infinite and infinitely personal. In my case, those roads are the many “other” musics I have encountered and practised: from European classical music to American minimalism, from the North Indian tradition to Australian Aboriginal music, and any music from any time or place that has captured my interest for whatever reason.
The result is music with both a strong compositional identity — many written parts — and a strong oral component. This leads to a series of spontaneous decisions particular to each piece and to different approaches to improvisation.
Each piece can therefore be heard as a ticket to both real, specific soundscapes — Southern California, Mexico, India, the desert — and purely imagined ones, such as the Great South and ancient Egypt. Last but not least, my thanks to the wonderful musicians in the quartet, who are at ease in a great variety of contexts and open to the “winds of change”.
About the pieces
1. Canone perpetuo — A three-voice canon gradually built up by the ensemble, with a piano solo in the middle.
2. Imaginary Crossroads No. 1 — A piece written during a flight over Colorado: all sorts of roads and crossroads appear and disappear from above.
3. South — The Deep South as a mental category and the birthplace of the blues. The improvisation develops around a descending minor-third motif.
4. Voices of Ancient Queens — An exercise in time travel to ancient Egypt. There was jazz in the pyramids…
5. Mala — The sopranino saxophone can sound remarkably like the Indian shanai. The piece follows some principles of Indian music and includes a duet for double bass and didgeridoo.
6. Tumbleweeds — An elaboration of Spiritual and a homage to its creator, John Coltrane.
7. Delta Yearning — This piece serves a function akin to that of the scherzo in a classical symphony.
8. Winds of Change — Written for the quartet in 2017, this piece has two contrasting sections in 5/4 and 4/4.
Performers & recording
Roberto Laneri — music; lyrics on tracks 2, 3, 4, 7 and 8; soprano saxophone on tracks 3 and 4; sopranino saxophone on track 5; alto saxophone on tracks 1, 2, 6, 7 and 8; bass clarinet on tracks 3 and 4; didgeridoo on track 5.
Giuppi Paone — voice.
Stefano Diotallevi — piano.
Alessandro del Signore — double bass.
Recorded and mixed by Giuseppe Vadalà at Studio Nuccia, Rome, July 2017.
Cover photography: Karmen Corak.
Production, design and art direction: OMK–Da Vinci.
Printed with the support of S.P.L.M.
The copyright in this sound recording and artwork is owned by OMK–Da Vinci.
℗ & © OMK–Da Vinci Classics. DDD. Manufactured in Japan.