Da Vinci Jazz

Roberto Laneri: Winds of Change

Alessandro del Signore, Giuppi Paone, Roberto Laneri, Stefano Diotallevi

C000511 CdBass Clarinet, Didgeridoo, Double-Bass, Piano, Saxophone, Voice

Physical and Digital Release: 24 November 2017

Eight original compositions bringing together jazz, contemporary music and musical traditions from around the world.

Roberto Laneri · saxophones, bass clarinet and didgeridoo
Giuppi Paone · voice · Stefano Diotallevi · piano · Alessandro del Signore · double bass

Barcode: 0793597335791

13.67€

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Digital programme · 8 tracks

  1. 01Canone perpetuoRoberto Laneri5:31
  2. 02Imaginary Crossroads N. 1Roberto Laneri9:59
  3. 03SouthRoberto Laneri10:39
  4. 04Voices of Ancient QueensRoberto Laneri5:03
  5. 05MalaRoberto Laneri12:05
  6. 06TumbleweedsRoberto Laneri7:27
  7. 07Delta YearningRoberto Laneri5:53
  8. 08Winds of ChangeRoberto Laneri7:06

Track timings refer to the digital edition.

Streaming
ArtistsAlessandro del Signore, Giuppi Paone, Roberto Laneri, Stefano DiotalleviBiographies

Alessandro del Signore is a double bassist, electric bassist and composer. He graduated in double bass from the Licinio Refice Conservatory in Frosinone. From an early age he combined a passion for classical music with the study of jazz and improvised music.

Active in both concert performance and recording, he works on projects ranging from contemporary jazz and classical music to world music, performing at national and international festivals.

Giuppi Paone received her musical training in Italy during a period of intense cultural activity. Exploring a variety of vocal techniques and forms of expression, she sought a personal synthesis of her interests: jazz improvisation, the technical discipline of classical singing, Indian raga, the vocal traditions of rural Italy, other traditional vocal practices, contemporary music, the relationship between voice and gesture, and vocal teaching.

By the time of Winds of Change in 2017, she had collaborated with Roberto Laneri for more than twenty-five years, lending her voice to his multifaceted music. Her teaching work has included jazz singing at the San Pietro a Majella Conservatory in Naples.

Roberto Laneri is a composer, wind player — clarinets, saxophones and didgeridoo — and overtone singer. He studied philosophy in Rome and music in the United States, receiving a PhD from the University of California, San Diego. His teachers included Lejaren Hiller, Charles Mingus, William O. Smith, John Silber and Keith Humble.

After many years of work in contemporary music, his music has developed beyond established categories and conventional boundaries of time and place. His recording credits include collaborations with Charles Mingus and Peter Gabriel, alongside his own albums Two Views of the Amazon, Anadyomene, Memories of the Rain-Forest, The Tail of the Tiger, Sentimental Journey, Escher, Breath and Winds of Change.

He has published two books on the theory and practice of overtone singing, La voce dell’arcobaleno and Nel cielo di Indra. He has been a member of the Club of Budapest, founded by Ervin László to promote planetary consciousness. He taught at the Florence Conservatory until 2011.

Stefano Diotallevi holds conservatory diplomas in piano, jazz arranging, chamber music and music education. He also earned a degree in music history from Sapienza University of Rome, with a thesis on piano music in Futurism.

He performs with a variety of jazz, chamber and world music ensembles. His teaching work has included the Scuola Popolare di Musica di Testaccio and the Licinio Refice Conservatory in Frosinone.

ComposersRoberto LaneriBiographies

Roberto Laneri is a composer, wind player — clarinets, saxophones and didgeridoo — and overtone singer. He studied philosophy in Rome and music in the United States, receiving a PhD from the University of California, San Diego. His teachers included Lejaren Hiller, Charles Mingus, William O. Smith, John Silber and Keith Humble.

After many years of work in contemporary music, his music has developed beyond established categories and conventional boundaries of time and place. His recording credits include collaborations with Charles Mingus and Peter Gabriel, alongside his own albums Two Views of the Amazon, Anadyomene, Memories of the Rain-Forest, The Tail of the Tiger, Sentimental Journey, Escher, Breath and Winds of Change.

He has published two books on the theory and practice of overtone singing, La voce dell’arcobaleno and Nel cielo di Indra. He has been a member of the Club of Budapest, founded by Ervin László to promote planetary consciousness. He taught at the Florence Conservatory until 2011.

Album notes

Album notes by Roberto Laneri. I founded this quartet in 2016 both to bring new compositions to life and to revisit older ones, some dating back to the 1970s. This repertoire finds common ground in jazz, although it takes different and sometimes roundabout routes to reach it: after all, the roads to jazz can be infinite and infinitely personal. In my case, those roads are the many “other” musics I have encountered and practised: from European classical music to American minimalism, from the North Indian tradition to Australian Aboriginal music,…

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Album notes by Roberto Laneri.

I founded this quartet in 2016 both to bring new compositions to life and to revisit older ones, some dating back to the 1970s. This repertoire finds common ground in jazz, although it takes different and sometimes roundabout routes to reach it: after all, the roads to jazz can be infinite and infinitely personal. In my case, those roads are the many “other” musics I have encountered and practised: from European classical music to American minimalism, from the North Indian tradition to Australian Aboriginal music, and any music from any time or place that has captured my interest for whatever reason.

The result is music with both a strong compositional identity — many written parts — and a strong oral component. This leads to a series of spontaneous decisions particular to each piece and to different approaches to improvisation.

Each piece can therefore be heard as a ticket to both real, specific soundscapes — Southern California, Mexico, India, the desert — and purely imagined ones, such as the Great South and ancient Egypt. Last but not least, my thanks to the wonderful musicians in the quartet, who are at ease in a great variety of contexts and open to the “winds of change”.

About the pieces

1. Canone perpetuo — A three-voice canon gradually built up by the ensemble, with a piano solo in the middle.

2. Imaginary Crossroads No. 1 — A piece written during a flight over Colorado: all sorts of roads and crossroads appear and disappear from above.

3. South — The Deep South as a mental category and the birthplace of the blues. The improvisation develops around a descending minor-third motif.

4. Voices of Ancient Queens — An exercise in time travel to ancient Egypt. There was jazz in the pyramids…

5. Mala — The sopranino saxophone can sound remarkably like the Indian shanai. The piece follows some principles of Indian music and includes a duet for double bass and didgeridoo.

6. Tumbleweeds — An elaboration of Spiritual and a homage to its creator, John Coltrane.

7. Delta Yearning — This piece serves a function akin to that of the scherzo in a classical symphony.

8. Winds of Change — Written for the quartet in 2017, this piece has two contrasting sections in 5/4 and 4/4.

Performers & recording

Roberto Laneri — music; lyrics on tracks 2, 3, 4, 7 and 8; soprano saxophone on tracks 3 and 4; sopranino saxophone on track 5; alto saxophone on tracks 1, 2, 6, 7 and 8; bass clarinet on tracks 3 and 4; didgeridoo on track 5.
Giuppi Paone — voice.
Stefano Diotallevi — piano.
Alessandro del Signore — double bass.

Recorded and mixed by Giuseppe Vadalà at Studio Nuccia, Rome, July 2017.
Cover photography: Karmen Corak.
Production, design and art direction: OMK–Da Vinci.
Printed with the support of S.P.L.M.
The copyright in this sound recording and artwork is owned by OMK–Da Vinci.
℗ & © OMK–Da Vinci Classics. DDD. Manufactured in Japan.

Reviews

Selected awards, reviews and interviews. Radio broadcasts and podcasts are listed separately below.

More selected reviews

A Proposito di Jazz

Review · Luigi Onori · 27 March 2018

“una varietà di colori sonori e dimensioni acustiche perfettamente integrate”

Praises Laneri’s compositional imagination, the quartet’s expressive versatility and the integration of contrasting instrumental colours.

Read the review ↗ - A Proposito di Jazz

Il Manifesto

Review · Alberto Leiss · 16 January 2018

“Venti del cambiamento (jazz e ’68)”: a positive newspaper discussion of Winds of Change. Original clipping, page 15.

Read the review ↗ - Il Manifesto

L’Isola che non c’era

Review · Alberto Bazzurro · 24 May 2018

Highlights Laneri’s intricate musical paths and the accessible jazz character of this voice, winds, piano and double-bass quartet.

Read the review ↗ - L’Isola che non c’era

Jazz Life

Review · 早田和音 · June 2018

The Japanese magazine’s June 2018 review discusses Winds of Change as a meeting of jazz, classical and contemporary music. It highlights the quartet’s diverse sound worlds, including the Middle Eastern atmosphere of Mala and the combination of Native American folk influences and free jazz in Delta Yearning. Original clipping supplied by the artist.

Radio & Podcasts

Broadcasts, conversations and listening features dedicated to this recording.

Explore radio & podcasts (2)

Rai Radio 3 · Battiti

Radio · January 2018

Broadcast reference preserved from the original album page. The former replay is no longer available; the exact broadcast day has not been established.

Rai Radio 3: La stanza della musica

Radio · 23 March 2018

Roberto Laneri and the Winds of Change quartet appear in a live session for La stanza della musica. The date is documented in the artist’s chronology and correspondence; RaiPlay Sound preserves a dedicated episode page.

Explore the broadcast ↗ - Rai Radio 3: La stanza della musica

Explore all radio & podcasts ↗

Recording details