JazzReviews
Infusino strongly praises Sanguineti’s compositions, the trio’s natural interplay and Cigalini’s expressive soloing, highlighting the music’s melodic clarity, rhythmic invention and stylistic range.
Read the review ↗ - JazzReviewsDa Vinci Jazz
Giovanni Sanguineti, Giovanni Sanguineti Nextrio, Mario Zara, Mattia Cigalini, Nicola Stranieri
Physical and Digital Release: 12 June 2020
Giovanni Sanguineti and his musical partners present Remember the Future, exploring the interplay between individual instrumental voices and the shared direction of the ensemble.
13.67€
Digital programme · 8 tracks
Track timings refer to the digital edition.
Giovanni Sanguineti Nextrio brings together bassist and composer Giovanni Sanguineti, pianist Mario Zara and drummer Nicola Stranieri. Following Gnothi Seauton, their album Remember the Future presents eight compositions by Sanguineti, joined by alto saxophonist Mattia Cigalini.
Giovanni Sanguineti was an Italian double bassist and composer from Liguria. His work combines jazz improvisation, melodic writing and an interest in the ethical and philosophical questions of everyday life. He formed Nextrio with Mario Zara and Nicola Stranieri; Remember the Future follows their recording Gnothi Seauton.
Mario Zara performs piano on Giovanni Sanguineti Nextrio’s Remember the Future. Zara and Stranieri form the trio with bassist and composer Sanguineti, while Cigalini joins as a guest soloist.
Mattia Cigalini performs alto saxophone on Giovanni Sanguineti Nextrio’s Remember the Future. Zara and Stranieri form the trio with bassist and composer Sanguineti, while Cigalini joins as a guest soloist.
Nicola Stranieri performs on drums in The Jazz Side of Bacharach. The recording brings together Claudio “Wally” Allifranchini’s jazz quartet, the Archimia String Quartet and guest trumpeter Fabrizio Bosso in a programme of eight Bacharach songs, with arrangements by Allifranchini.
Giovanni Sanguineti was an Italian double bassist and composer from Liguria. His work combines jazz improvisation, melodic writing and an interest in the ethical and philosophical questions of everyday life. He formed Nextrio with Mario Zara and Nicola Stranieri; Remember the Future follows their recording Gnothi Seauton.
Remember the Future brings together Giovanni Sanguineti, double bass, Mario Zara, piano, and Nicola Stranieri, drums, with guest alto saxophonist Mattia Cigalini. Its eight original compositions explore modern mainstream and contemporary jazz through melodic themes, harmonic detail and the ensemble’s shared sense of swing. In his introductory note, music journalist Stefano Dentice highlights the singing quality of the themes, their melodic depth and harmonic refinement, and the musicians’ direct, emotionally engaged communication. Giovanni Sanguineti on the music This album seeks to be a worthy successor to Gnothi Seauton, a project…
Remember the Future brings together Giovanni Sanguineti, double bass, Mario Zara, piano, and Nicola Stranieri, drums, with guest alto saxophonist Mattia Cigalini. Its eight original compositions explore modern mainstream and contemporary jazz through melodic themes, harmonic detail and the ensemble’s shared sense of swing.
In his introductory note, music journalist Stefano Dentice highlights the singing quality of the themes, their melodic depth and harmonic refinement, and the musicians’ direct, emotionally engaged communication.
This album seeks to be a worthy successor to Gnothi Seauton, a project that demanded much of me and brought great satisfaction. The compositions followed a similar process of development and refinement, although bringing the recording to completion proved more difficult. What runs through the music is the hope that there is still a tomorrow, a horizon one step beyond us: an opportunity to make amends and improve, but also a temptation to postpone our decisions.
Once upon a Tomorrow looks towards that possibility of a future. Whether it will be better or worse remains unknown; knowing that it exists may be enough.
Le identità di un giorno asks how many identities we inhabit in a single day, from its beginning through its hectic rhythms to its close, and how solitude and contact with others give daily life its rhythm and meaning.
Old Time Remedies returns to the familiar remedies of earlier times: the blues and the standards.
Utopsia takes its title from Dario Falconi’s book. Its underlying hope is a renewal of ethical human action, grounded in respect for ourselves and others, and the difficult emergence of a different humanity.
Le torri di Rodia evokes Sabato “Simon” Rodia’s towers in the Watts neighbourhood of Los Angeles, built from discarded materials. I imagine them as an image of perseverance pursued for its own sake.
Perseidi imagines fragments from space dissolving into sparks as they meet the atmosphere, carrying the wishes we entrust to them.
Distopia presents the opposite of utopia: an imagined future shaped by undesirable political and social conditions.
When Air Becomes Breath reflects on the way everything around us enters our lives. We unconsciously filter what we see, hear and feel through our inner experience. The air surrounding us becomes breath through us, and becomes life.
Programme notes by Giovanni Sanguineti; English revised from the original booklet.
Selected awards, reviews and interviews. Radio broadcasts and podcasts are listed separately below.
JazzReviews
Review · Andrea Infusino · 11 July 2020
Infusino strongly praises Sanguineti’s compositions, the trio’s natural interplay and Cigalini’s expressive soloing, highlighting the music’s melodic clarity, rhythmic invention and stylistic range.
Read the review ↗ - JazzReviewsJazz Journal
Review · Brian Payne · 4 October 2020
A positive assessment of Sanguineti's thoughtful compositions and the ensemble's melodic interplay, energetic solos and natural swing, regardless of whether every philosophical reference is apparent to the listener.
Read the review ↗ - Jazz JournalThe Walker’s
Print review · 2020
A favourable Japanese assessment of Giovanni Sanguineti’s Nextrio, praising the refined ensemble playing, expressive warmth and the change of colour brought by Mattia Cigalini’s alto saxophone. The Walker’s, vol. 61 (2020). No numerical rating is assigned.

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