Giorgia Cinciripi

GIORGIA CINCIRIPI
Giorgia studied at “G. Braga” Conservatory in Teramo, where she graduated with full marks and then she continued second level studies at the “L.

D’Annunzio” Conservatory in Pescara, and the second level studies in baroque music at the “A. Casella” Conservatory in L’Aquila and she graduated magna cum laude. After the graduation she refined her skills with some important sing teachers: William Matteuzzi, Claudio Desderi and Fernando Cordeiro Opa. Guided by the soprano Roberta Invernizzi she focused her attention on baroque repertoire and she attended also some masterclasses with Sara Mingardo, Gloria Banditelli and Sonia Prina.
She graduated magna cum laude in History, Arts, Music and Entertainement at the University of L’Aquila discussing a thesis about Craziness in Dramas and Operas.
Giorgia won the competition instituted by Piccolo Festival del Friuli for the opera La Cecchina, ossia la buona figliola of Piccinni that was been conducted by M° F. Bressan and staged by E. Marini in Udine. She plays the role of Maddalena in the oratorio La Resurrezione of Haendel in a famous baroque music festival in Royaumont (Paris) with the orchestra “La Risonanza” conducted by F. Bonizzoni.
She sang the following operas: Semele (Ino and Cupid) of Eccles in the Festival Oude Muziek in Utrecht conducted by F. Bobizzioni, Aci, Galatea e Polifemo (Aci) of Haendel and Dido and Aeneas (Belinda) of Purcell in the festival La Rocca Barocca with the orchestra Gli Archi del Cherubino; Così fan tutte (Despina), Don Giovanni (Zerlina), Le Nozze di Figaro (Barbarina) of W. A. Mozart with the Orchestra di Padova e del Veneto conducted by C. Desderi at the Theatres of Padova, Portogruaro and Vittorio Veneto (Venice); Eurilla e Alcindo of A. Vivaldi (Eurilla) conducted by A. Ciccolini at the Rossini Theatre in Pesaro; Paride and Elena of C. W. Gluck conducted by F. M. Bressan and staged by Andrea Cigni at the Verdi Theatre in Pisa, at the Goldoni Theatre in Livorno, at the Giglio Theatre in Lucca and at the Royal The Wallonie in Liegi; Semele (Iris) of Haendel with the baroque ensamble Les Nations and staged by Thomas Zip. Specialized in Opera Buffa of the eighteenth century, she played the main roles in: Le finte gemelle of N. Piccinni, La Serva Padrona and Livietta e Tracollo of G.B. Pergolesi, Filosofo di Campagna of B. Galuppi and La Fantesca of A. G. Hasse.
She sang also sacred repertoire’s compositions such as Mozart’s Exsultate Jubilate, Pergolesi’s Stabat Mater, Vivaldi’s Gloria, and Haendel’s Messiah and Dixit.