Marino Nahon

He has performed as a soloist, as a chamber musician and as a Lied accompanist in various concert halls in Italy (Turin: Sala 500 del Lingotto, Salone del Conservatorio; Rome: Sala Baldini, Villa Torlonia; Parma: Casa della Musica; Genoa: Palazzo Ducale; Orvieto: Teatro Mancinelli; Modena: GMI; Naples: Fondazione Humaniter; Venice: Palazzo Albrizzi; Alessandria: Auditorium Pittaluga; Milan: Sala Verdi and Sala Puccini of the Conservatory, Festival MiTo, Società dei Concerti, Milano Classica, Musica/Realtà), in France (Paris: “Atelier Concerts”, Musée Debussy; Aix-en-Provence: “Concerts d'Aix”; Nice: Auditorium Nucéra), in Switzerland (Geneva: Concerts d’été en Vieille-Ville), in UK (Stratford-upon-Avon: Shakespeare Institute; Godalming: Charterhouse; Ely: Hayward Theatre; Colchester: University of Essex), in USA (San Francisco: Italian Cultural Institute), in Japan (Kyoto: Fumin Hall ALTI; Kumagaya: Sakuramate Theatre), in South Korea (Seoul: Museum of Art National University), in Taiwan (Taipei: National Theatre), in Turkey (Ankara: Hacettepe University Concert Hall). In 2018 he gave a solo recital at the Museo Teatrale alla Scala in Milan, on the piano once owned by Franz Liszt.
He is also an active performer of twentieth century and contemporary music, and he played, in first performances, works by Vladimir Rannev, Yotam Haber, Adriano Guarnieri, Stefano Gervasoni, Dario Maggi, Osvaldo Coluccino, Corrado Rojac, Alessandra Ciccaglioni, Alessandro Melchiorre, Giovanni Damiani, Gabriele Cosmi, Rocco Abate, Luca Cori, Sonia Bo, Gabriele Manca, Giuliano Zosi, Nicola Sani and others.
He has studied composition with Bruno Zanolini at the Milan Conservatory and musicology with Emilio Sala at the Università degli studi of Milan, where he graduated: he is the author of several musicological essays, which appeared in magazines such as «Musica e Storia» and «Musicalia – Annuario internazionale di studi musicologici».