Franck: The Art of Remembering a Theme
In Prélude, Choral et Fugue, the return of earlier material changes the way the listener understands the whole. Musical memory becomes…
Read storyIn Prélude, Choral et Fugue, the return of earlier material changes the way the listener understands the whole. Musical memory becomes…
Read storyLetizia Calandra and Marcos Madrigal explore Ildebrando Pizzetti’s songs for voice and piano in a new Da Vinci Classics recording, coming…
Read storyIn solo piano, melody, harmony and rhythm share one instrument. Their changing relationships help explain how a performance can keep moving…
Read storyWritten for string quartet in 1890, Crisantemi opens a path into Puccini’s theatre through music that first existed without a stage…
Read storyThe opening page of Luigi Mogrovejo’s Game I shows how a chamber ensemble can be built through changes of presence, colour…
Read storyThe alternative versions of Schumann’s piano sonatas make revision audible. They invite us to hear how an ending can change the…
Read storyOn the anniversary of his birth, Via Crucis offers a different approach to Liszt: through the weight of a single line,…
Read storyPizzicato awards its top rating of 5/5 to Garden After Midnight. Discover Candor Piano Trio’s Da Vinci Classics debut through Granados,…
Read storySilvia Mazzon and Francesca Vidal explore Rebecca Clarke’s music for viola and piano, from the dramatic sweep of the 1919 Sonata…
Read storyIl Pettirosso brings Corelli’s first six Op. 5 sonatas to the recorder in a world-premiere recording of an eighteenth-century transcription preserved…
Read storyA recording can suggest connections that extend beyond sound. In episode 67 of Allegro, con Brio!, Gabriele Formenti meets Maurizio Di…
Read storyCarlo Fierens’s Napoléon Coste: Complete Guitar Works, Vol. 7 — Pièces de Concert II has received five stars in the October…
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