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Ruggiero Mascellino: Biomes

Duilio Virzì, Elisa Zimbardo, Emanuele Rinella, Flavia Farruggia, Gabriele Palumbo, Marco Spinella, Massimo Patti, Ruggiero Mascellino, Vincenzo Puccio

C009371 CdAccordion, Bass, Digital sound, Double-Bass, Drums, Electric Guitar, Guitar, Keyboard, Percussion, Piano

Physical and Digital Release: 18 October 2024

Ruggiero Mascellino and his collaborators present Biomes, bringing contrasting instrumental voices together in a musical landscape shaped by ensemble dialogue, changing rhythms and expressive colour.

13.55€

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Digital programme · 9 tracks

  1. 01AntaresRuggiero Mascellino · Ruggiero Mascellino (Piano, Accordion, Keyboards)5:07
  2. 02SweetRuggiero Mascellino · Ruggiero Mascellino (Piano, Accordion, Keyboards)5:12
  3. 03SavanaRuggiero Mascellino · Ruggiero Mascellino (Piano, Accordion, Keyboards)6:12
  4. 04The Beauty of NatureRuggiero Mascellino · Ruggiero Mascellino (Piano, Accordion, Keyboards)4:15
  5. 05ChidoRuggiero Mascellino · Ruggiero Mascellino (Piano, Accordion, Keyboards)3:32
  6. 06EyesRuggiero Mascellino · Ruggiero Mascellino (Piano, Accordion, Keyboards)3:06
  7. 07Hand of the DesertRuggiero Mascellino · Ruggiero Mascellino (Piano, Accordion, Keyboards)5:47
  8. 08WaterfallRuggiero Mascellino · Ruggiero Mascellino (Piano, Accordion, Keyboards)4:35
  9. 09RainforestRuggiero Mascellino · Ruggiero Mascellino (Piano, Accordion, Keyboards)3:44

Track timings refer to the digital edition.

Streaming
ArtistsDuilio Virzì, Elisa Zimbardo, Emanuele Rinella, Flavia Farruggia, Gabriele Palumbo, Marco Spinella, Massimo Patti, Ruggiero Mascellino, Vincenzo PuccioBiographies

Duilio Virzì contributes percussion to Ruggiero Mascellino's Biomes, a recording combining instrumental performance and electronic textures in music inspired by Mexican landscapes and Mediterranean musical culture.

Elisa Zimbardo contributes electric and acoustic guitar to Ruggiero Mascellino's Biomes, a recording combining instrumental performance and electronic textures in music inspired by Mexican landscapes and Mediterranean musical culture.

Emanuele Rinella is a drummer active in live and recorded music. His collaborations include Ibeatipaoli, whose repertoire combines Sicilian song with contemporary influences. On Ruggiero Mascellino's Biomes he plays drums on tracks 1, 3 and 5.

Flavia Farruggia contributes classical guitar to Ruggiero Mascellino's Biomes, a recording combining instrumental performance and electronic textures in music inspired by Mexican landscapes and Mediterranean musical culture.

Gabriele Palumbo contributes drums on tracks 2, 4, 5, 7 and 8 to Ruggiero Mascellino's Biomes, a recording combining instrumental performance and electronic textures in music inspired by Mexican landscapes and Mediterranean musical culture.

Marco Spinella contributes bass to Ruggiero Mascellino's Biomes, a recording combining instrumental performance and electronic textures in music inspired by Mexican landscapes and Mediterranean musical culture.

Massimo Patti contributes double bass to Ruggiero Mascellino's Biomes, a recording combining instrumental performance and electronic textures in music inspired by Mexican landscapes and Mediterranean musical culture.

Ruggiero Mascellino is an Italian composer, accordionist, pianist and keyboard player. He has taught accordion and electronic keyboards at the Palermo Conservatory and worked in theatre, concert music and film. His collaborations include Tosca, the Teatro Massimo in Palermo and artists from Italian popular music. He composed and arranged Biomes, a project connecting Mediterranean musical sensibilities with images of Mexico, and performs its piano, accordion and keyboard parts.

Vincenzo Puccio contributes digital sounds to Ruggiero Mascellino's Biomes, a recording combining instrumental performance and electronic textures in music inspired by Mexican landscapes and Mediterranean musical culture. A close collaborator of Mascellino, he created the album's pre-production. Biomes is dedicated to his memory.

ComposersRuggiero MascellinoBiographies

ENGLISH BIO
Ruggiero Mascellino (Palermo, 26.06.1973) studied at the "Vincenzo Bellini" Conservatory of Music in Palermo and he graduated in piano in 1996. In 1999, at the "Girton College" of Cambridge, he perfected the study of the piano, then deepening the composition at the Conservatory of Palermo. But the musical passions also spread to other instruments,
such as the accordion, as well as the different musical genres that he has experienced over time.
Today, Maestro Mascellino is an accordion teacher at the "Vincenzo Bellini" Conservatory of Palermo. From 2002 to 2008 he was an accordion teacher at the "The Brass Group", school of jazz in Palermo. As a teacher he also deals with techniques and improvisation of accordion in the field of popular music, popular music workshops at schools, seminars on the Sicilian dialect and the use of traditional Sicilian folk instruments.
An intense dialogue between ethnic, classical, jazz and pop sounds has given life to an original and multiform musical identity: at the moment he has recorded 31 albums of music in his name.
With the Teatro Libero of Palermo he has collaborated for six seasons as a composer and performer on stage of the music for 7 theatrical works. As an accordionist he took part in the Teatro Massimo in Palermo at the opera "Vanessa" by S. Barber, at the ballet "Amarcord" by N. Rota and at the concert by Elio & Le Storie Tese. While, as a mandolinist, he participated in the opera "Moses und Aron" by Schönberg. For the Teatro Biondo of Palermo he participated as an accordionist at the "Opera da tre soldi" of B. Brecht and K. Weill, directed by Pietro Carriglio, then staged in several Italian theaters. He has participated as an accordionist, pianist, guitarist and musical director at the shows "Romana - Omaggio a Gabriella Ferri", "Il Terzo Fuochista" by the singer Tosca, with the direction of Massimo Venturiello, which took place in many Italian cities. He participated in the 57th Sanremo Festival with the song "Il Terzo Fuochista", which
he wrote, played and arranged, with the collaboration of Maestro Beppe Vessicchio, interpreted by Tosca. He has participated in numerous television and radio broadcasts and events held in various locations throughout Italy. He has curated several concerts of music and popular theater, along with musical arrangements for national and international events. He has performed in several concerts for accordion or accordion and orchestra with some of the most prestigious Italian orchestras: Roma Sinfonietta, Orchestra della Magna Grecia, I Solisti Aquilani, The Sicilian Symphony Orchestra, Orchestra of the Teatro Massimo of Palermo, Sicilian Jazz Orchestra. In terms of collaboration, as well as with artists such as Tosca, with: Eugenio Bennato, Franco Battiato, Nicola Piovani, Rossana Casale, Tullio De Piscopo, Simone Cristicchi, Claudio Baglioni, Elio and Storie Tese, Fiorella Mannoia, Mimmo Locasciulli, Peppe Servillo, Roy Paci. He also collaborated as arranger and pianist / accordionist with the singer Aida Satta Flores, with whom, in 2007, he participated in the show "O 'Scià" by Claudio Baglioni in Lampedusa. He has collaborated with numerous conductors, including Luis Bacalov, Beppe Vessicchio, Sara Hicks, Marzio Conti, Fernando Alvarez, Alberto Veronesi, Pippo Caruso, Jan Latham Koenig, Guven Yaslicam, Simone Bernardini and with Maestro Gaetano Randazzo, performing as accordionist soloist, "Valse et Chanson", "Piazzolla Upgrade", "Four Season", the "Four Seasons" of Piazzolla, also playing with prestigious orchestras from all over Italy and the world. He worked as an accordionist for the soundtrack written by Ennio Morricone in the film "Baaria" by Giuseppe Tornatore, and, as a pianist, with the singer Sting for the concert "Symphonicity" at the Castello a Mare in Palermo. He composed the music of the official spot of Sicily called "Sicilia 365 giorni all'anno", commercial broadcast on all the network Rai, Mediaset, La7, BBC world, CNN and in all Italian cinemas. Recently collaborated as music director, arranger, pianist and accordionist with the singer Tosca in the following productions: "Anima Mundi - sacred music", "Musicanti" and "Zoom..spartito cinematografico", directed by the producer Massimo Venturiello. With the OmniArt Trio, which he is part of together with the masters Massimo Barrale (violin) and Ferdinando Caruso (double bass), he has been included in high-caliber artistic exhibitions, such as Columbus Day at the Rockefeller Center in New York, and in concert seasons in Italy and around the world , performing in particular in Spain, China, United States, Mexico, Turkey, Switzerland, France, Germany, Brazil, Italy. He directed, wrote, arranged and performed the following shows: "Dall'Argentina al Mediterraneo" with the Sicilian Symphony Orchestra, (also for the first edition of TangoFest_Palermo), "iT's in Progress" at the Teatro Massimo in Palermo, "Cuatros Estaciones Porteñas" by A. Piazzolla with the Orchestra of the Teatro Massimo of Palermo. In addition, after collaborating musically over the years at various events related to the celebrations in honor of Santa Rosalia Patrona of Palermo, from 2015 to 2017 he was musical director and official composer of the 391°, 392°, 393° Festino di Santa Rosalia, under the artistic direction of M° Lollo Franco. From 2017 his music is the soundtrack of the great show "Steam" of the acrobatic company SONICS.

Album notes

“Biomes” is a project that took me on an extraordinary musical journey through the natural wonders of Mexico while filming a documentary with an American crew. That experience left an indelible mark on my soul, inspiring me to translate the sensations and inspirations of that fascinating land into music. It is a work meant to be a cultural and sonic bridge between Mexico and the Mediterranean. I sought to blend Mediterranean sensibilities with Mexican atmospheres, creating a unique and captivating sonic amalgam. This album also celebrates resilience and the human…

Read the complete album notesClose full notes

“Biomes” is a project that took me on an extraordinary musical journey through the natural wonders of Mexico while filming a documentary with an American crew. That experience left an indelible mark on my soul, inspiring me to translate the sensations and inspirations of that fascinating land into music.

It is a work meant to be a cultural and sonic bridge between Mexico and the Mediterranean. I sought to blend Mediterranean sensibilities with Mexican atmospheres, creating a unique and captivating sonic amalgam. This album also celebrates resilience and the human capacity for rebirth. Following the pandemic, this project represented a sort of artistic and personal renewal for me, marking a new phase in my musical career.

The realization of “Biomes” was made possible thanks to the passionate commitment of my dear friend and collaborator Enzo Puccio, who worked with dedication and love, infusing the project with his energy and passion for music. His presence and contribution are palpable in every track of the album, making it a touching tribute to his memory.

The album consists of nine tracks that evoke different biomes of the Earth, capturing the essences of tundra, rainforest, desert, and savannah. I used a variety of instruments to create a rich and complex sonic landscape. Piano, accordion, keyboards, guitars, bass, double bass, drums, and percussion blend with digital sounds, striking a perfect balance between tradition and modernity.

Each instrument has its own voice and character, intertwining to create deep and evocative compositions. The piano and accordion add warm and melodic tones, while guitars and bass create rhythmic and harmonic structures reminiscent of Mexico’s open landscapes and wild atmospheres. Keyboards and digital sounds bring a contemporary touch, integrating sonic textures that further expand the album’s musical horizon.

Percussion and drums infuse the tracks with pulsating energy, recreating tribal rhythms and the incessant movements of nature. The skillful use of double bass adds depth and resonance, while digital sounds introduce innovative and experimental elements that enhance the listening experience. This combination of instruments and sounds creates a sonic landscape that is both ancient and modern, familiar and surprising.

Despite its Mexican setting, Mediterranean influence is palpable throughout the album. The melodies and rhythms reflect a sensitivity deeply rooted in my musical culture, creating a sonic bridge between two seemingly distant yet closely connected worlds. This blend of influences makes “Biomes” a unique work, capable of transporting the listener on an exciting journey through distant yet familiar lands.

The production of “Biomes” was a lengthy and intricate process involving numerous musicians and sound engineers. Each track was carefully arranged and recorded to ensure maximum artistic and sonic quality. I worked closely with my team to ensure every detail was perfect, from instrument selection to melody arrangement, to recording and mixing.

The result is an album where every element has been crafted with care and passion. “Biomes” is not just an album to listen to, but an experience to live a journey through sounds and sensations that take us to distant and fascinating places.

In a rapidly changing world, “Biomes” invites you to pause and reflect on the beauty of nature and our connection to it. It is a call to simplicity and purity, an invitation to rediscover our bond with the earth and celebrate the diversity of its landscapes and cultures.

Listen Preview

Ruggiero Mascellino: Savana & The Beauty of Nature
Biomes · Complete Pieces
A listening selection from Ruggiero Mascellino: Biomes · C00937

Reviews

Selected awards, reviews and interviews. Radio broadcasts and podcasts are listed separately below.

More selected reviews

MadonieLive

Mention · 28 January 2025

An album feature with comments by Ruggiero Mascellino about the Mexican documentary, the use of recorded heartbeats and his tribute to Enzo Puccio.

Read the reference ↗ - MadonieLive