Fanfare Magazine
Read the review ↗Da Vinci Classics
Alex Bender, Anthony Bracewell, Arnold Livingston Geis, Cathedral Choir of the Greek Orthodox Archdiocesan Cathedral of the Holy Trinity, Chelsea Lane, Cort Roberts, Costas Tsourakis, Erzsi Gódor, Ginevra Petrucci, Giuseppe Brent, Grace Ho, Kai Hirayama, Kyle Hoyt, Ljova Zhurbin, Luke Krafka, Matthew Curran, Michelle Farah, Nick Nesbitt, Oliver Xu, Priscilla, Rocky Sellers, Sophie Delphis, Suchan Kim, Tylor Thomas
Physical Release: 21 November 2025
Digital Release: 5 December 2025
Charles Calomiris’s one-act opera Gethsemane brings voices and instruments together in a dramatic meditation on spiritual conflict, giving musical shape to the events surrounding its biblical subject.
13.76€
Digital programme · 10 tracks
Track timings refer to the digital edition.
Erzsi Gódor, also known as Erzsébet Gódor, is a Hungarian cimbalom player born in Budapest in 1991. She graduated with distinction from the Liszt Ferenc Academy of Music in 2016. Her work encompasses solo performance, orchestral playing and teaching, with appearances across Europe and in Asia and South America.
Ginevra Petrucci: Hailed by the press as “one of the most interesting talents of her generation”, Ginevra Petrucci has performed at Carnegie Hall (New York), Kennedy Center (Washington D.C.), Salle Cortot (Paris), Teatro La Fenice (Venice), Villa Medici (Rome), Ohji Hall (Tokyo), as well as throughout China, South America and the Middle East.
As a soloist, she has appeared in concert with I Pomeriggi Musicali, I Virtuosi Italiani and the Chamber Orchestra of New York, and has released the first recordings of Edouard Dupuy and Ferdinand Buchner’s Concertos. Her chamber music experience has brought her to appear alongside pianists Bruno Canino and Boris Berman, and to a long-standing collaboration with the Kodály Quartet, with whom she has released the highly acclaimed recording of the complete Flute Quintets by Friedrich Kuhlau. Her recording of Robert Muczynski’s Sonata has been praised as “oozing with lifeblood and zest … enthralling and rousing”. In 2017 she has rediscovered and recorded Wilhelm Kempff’s Quartet for flute, strings and piano and toured Italy with its premiere performances.
Ginevra devotes much of her artistic endeavors to contemporary music. At Yale University she has collaborated with George Crumb, Steve Reich, Betsy Jolas and Kaija Saariaho, performing the American premiere of Terrestre. She commissioned Jean-Michel Damase’s last composition, 15 Rubayat d’Omar Khayyam for voice, flute and harp, and she has appeared at the Venice Biennale Contemporary Music Festival with a commissioning project dedicated to Witold Lutosławski. In 2018 she has founded the Flauto d’Amore Project, a large-spanning commission endeavor aimed to the creation of a new music repertoire for the modern flauto d’amore.
She has curated the edition of over twenty musical editions, including Briccialdi Concertos for Ricordi/Hal Leonard and first editions of works by Mercadante, Jommelli, Morlacchi, Busoni and De Lorenzo. Her scholarly articles appear in the Flutist Quarterly, as well as in the leading flute magazines in Italy and France.
She has studied at Santa Cecilia Conservatory in her native Rome with her father, and then pursued her education at the École Normale in Paris. She holds a Master and Artist Diploma from Yale University and a Doctorate of Musical Arts at Stony Brook University.
She is Principal Flute at Chamber Orchestra of New York.
Alex Bender is an American trumpeter whose career encompasses orchestral performance, chamber music, Broadway and teaching. He has performed with the American Symphony Orchestra and the Detroit, New Jersey and Princeton symphony orchestras, and served as principal trumpet of Symphony in C from 2010 to 2013. His training includes degrees from James Madison University and the Manhattan School of Music.
Anthony Bracewell is a Canadian violinist and violist active in orchestral, chamber and solo performance. A native of Southern Ontario, he studied at the Cleveland Institute of Music, Rice University and the Juilliard School with teachers including Paul Kantor, Jaime Laredo, James Dunham and Paul Neubauer. His work includes leadership roles with the Cayuga Chamber Orchestra and Fort Greene Orchestra.
Arnold Livingston Geis received his Master of Music from USC and was a graduate of the Cafritz Young Artist Program. Mr. Geis has performed a diverse repertoire of operatic and other works around the world, including with the New York Philharmonic, Lincoln Center Theater, Los Angeles Philharmonic, the Phoenix Symphony, The Kennedy Center, and the Shangai Philharmonic. He has been an Apprentice Artist or Young Artist with several opera companies. He also records solo vocals for many television programs and films, including The Jungle Book and Star Wars.
The Cathedral Choir of the Greek Orthodox Archdiocesan Cathedral of the Holy Trinity is based in New York. Its work is rooted in the musical life of the Greek Orthodox Church. Directed by Costas Tsourakis, the choir appears in the angelic chorus Blessed in Charles Calomiris's Gethsemane.
Chelsea Lane is an American harpist from Pittsburgh, active as a soloist, chamber musician and orchestral player. She studied with Anne-Marguerite Michaud and Gretchen Van Hoesen, and graduated from Yale University in 2014, where she studied with June Han. She subsequently pursued further studies at Carnegie Mellon University and the Royal Conservatory of Brussels.
Cort Roberts is an American horn player and educator. He studied at the University of Colorado Boulder and earned his master's degree at the Juilliard School in 2019. His work includes a Carnegie Hall Ensemble Connect fellowship and membership of The Brass Project, an ensemble devoted to commissioning new brass chamber music.
Costas Tsourakis is a bass-baritone, music educator and choral director associated with the Archdiocesan Cathedral of the Holy Trinity in New York. His work includes opera, concert and Greek Orthodox church music. He directs the Cathedral Choir in Charles Calomiris's Gethsemane.
Grace Ho is a Taiwanese-American cellist active as a soloist and chamber musician in the United States and Asia. A founding member of the Ulysses Quartet, she received her master's degree and Doctor of Musical Arts from the Manhattan School of Music, following undergraduate studies at the University of North Texas. Her teachers include David Geber, Clive Greensmith and Eugene Osadchy.
Kai Hirayama is a clarinettist, improviser and recording musician devoted to contemporary music. Based in the New York area, he collaborates with composers on new solo and chamber works and performs with orchestras and theatrical productions. He completed his doctoral studies at Stony Brook University with Alan Kay and is also active as a teacher.
Kyle Hoyt is an American horn player and educator based in New York. His work encompasses orchestral and chamber performance, Broadway and recording. Formerly associate principal horn of the Jerusalem Symphony Orchestra, he studied at the University of Michigan and the Manhattan School of Music and has taught at Montclair State University since 2014.
Ljova, also known as Lev Zhurbin, is a composer, violist, fadolín player and arranger. Born in Moscow, he moved to New York in 1990. His work bridges concert music, contemporary dance, film, jazz and folk traditions. He leads Ljova and the Kontraband and performs with Trio Fadolín, alongside commissions and arrangements for orchestras and chamber ensembles.
Luke Krafka is a cellist active in solo, chamber and orchestral performance. He earned bachelor's and master's degrees in cello performance at the Boston Conservatory and a further certificate at the Aaron Copland School of Music. He founded the Halcyon Chamber Series, bringing chamber performances to audiences and spaces beyond conventional concert venues.
Matthew Curran is an American bass active in opera, concert music and recordings. Born in Princeton, New Jersey, he studied at Loyola University New Orleans and Indiana University. His repertoire encompasses major dramatic and comic bass roles, sacred music and contemporary opera. He sings James on track 3 of Gethsemane.
Michelle Farah is a New York-based oboist active in orchestral and chamber music. Her collaborators include the Orpheus Chamber Orchestra, Orchestra of St. Luke's and leading contemporary ensembles. A member of Wavefield Ensemble, she holds degrees from the Yale School of Music and the Manhattan School of Music, where her teachers included Stephen Taylor and Joseph Robinson.
Nick Nesbitt is a tenor and voice educator. He earned his Master of Music and Doctor of Music in voice performance at Indiana University, following undergraduate studies at DePauw University. His operatic repertoire includes Tonio, Almaviva, Tamino and Nemorino. He sings John in Charles Calomiris's Gethsemane.
Oliver Xu is a percussionist based in New York whose work focuses on contemporary music, new commissions and education. A Carnegie Hall Ensemble Connect fellow from 2023 to 2025, he co-founded Coriolis Duo for flute and percussion. He earned his master's degree at the Juilliard School, studying with Daniel Druckman.
Rocky Sellers is an American bass and bass-baritone from Memphis, Tennessee. He trained at the University of Tennessee and pursued further studies at the Manhattan School of Music. His career includes work with the Metropolitan Opera, Santa Fe Opera and other American companies. He sings James on track 2 of Gethsemane.
Sophie Delphis is a Franco-American mezzo-soprano known for her diverse operatic roles, including Cherubino in "Le nozze di Figaro" and Carmen in "Carmen." She's also an accomplished recitalist, performing extensively in the US and China. Sophie's repertoire includes works by Ravel, Saariaho, Bolcom, Schoenberg, and Messiaen. She's featured on the Grammy-nominated Naxos recording of Milhaud’s Oresteia trilogy. Currently pursuing a doctoral degree in voice performance in New York City.
Suchan Kim, a native of Busan, South Korea, has performed a wide variety of baritone, and sometimes bass, roles in opera companies throughout the world. His role credits include major roles in a wide range of operas, and he has received numerous awards in competitions. Mr. Kim holds degrees from Korea National University of Arts, Mannes College, and the New School for Music.
Tylor Thomas is an American bassoonist from Anchorage, Alaska. He studied at the Boston Conservatory and the Mannes School of Music and is a founding member of the Nu Quintet. His work combines contemporary chamber performance, orchestral playing and music education, including projects with the Orchestra of St. Luke's.
Synopsis Jesus and his three disciples (Peter, John, and James) are together in the garden, Gethsemane. Jesus has asked them to pray and watch with him, and they have already fallen asleep twice. Upon being awakened the second time, Peter asks if Jesus can help them stay awake by explaining how his “Golden Rule,” and his mandate to love one’s enemies, can work as a message to attract followers. Jesus leads them in the aria, “Pray and Watch with Me.” As the three pray with Jesus, the devil communicates subconsciously…
Synopsis
Jesus and his three disciples (Peter, John, and James) are together in the garden, Gethsemane. Jesus has asked them to pray and watch with him, and they have already fallen asleep twice. Upon being awakened the second time, Peter asks if Jesus can help them stay awake by explaining how his “Golden Rule,” and his mandate to love one’s enemies, can work as a message to attract followers. Jesus leads them in the aria, “Pray and Watch with Me.” As the three pray with Jesus, the devil communicates subconsciously with the disciples, reminding them that they are tired and bored, questioning whether Jesus understands how tired they are, and wondering what the point is of being out in a garden in the middle of the night. The devil’s influence leads the three to fall asleep a third time.
Satan intrudes on Jesus’s praying to taunt him, noting that his movement is running into trouble, predicting that his friends will abandon him, and pointing out that Jesus’s own disciple, Judas, is already on the way to arrest him. The devil seeks to understand Jesus’s plan and to portray the Father as unjust and uncaring in “Easy for Him.” Jesus refuses to engage with the devil, who encourages Jesus to use his power to destroy those who oppose him (“The Only Sensible Choice”) as a way to protect his friends and family from persecution after Jesus returns to heaven to escape capture. The devil is unable to imagine the possibility that Jesus will sacrifice himself instead.
After Satan exits, an Angelic Choir comforts Jesus with “Blessed,” using his own words of comfort from the Sermon on the Plain. Jesus then resumes praying to the Father, and sings “Eli, Eli, Lama Sabachthani,” which combines his own thoughts (dreading what is about to happen) with parts of Psalm 22, which foreshadows his suffering on the cross. After Jesus finishes “Eli, Eli…”, the Father answers by reminding Jesus of all that has led to this moment, singing “Climb Upon Your Cross.”
Jesus notices the band of soldiers approaching in the distance, while his disciples remain asleep. Jesus and the devil offer opposing views to Judas (who is approaching in the distance with soldiers) in the aria, “Devil’s Do.” Before they arrive, Jesus, having made his choice, sings “Lift Me Up.”
Program Notes
Every year, Orthodox Christians reenact the events that took place from the raising of Lazarus on the Saturday before Palm Sunday to Jesus’s Resurrection on Easter Sunday (Pascha). Liturgical services follow Jesus from his visit to Lazarus’s tomb, to his entry into Jerusalem, to the Last Supper, Judas’s betrayal and the seizure in Gethsemane, to Jesus’s meetings with Herod, the Council, and Pilate, ending in his crucifixion, death, burial, and resurrection. Some communities also have been known to stage dramatic reenactments of some of these events, as recounted in Nikos Kazantzakis’s novel, The Greek Passion.
This opera, like those dramatic reenactments, exists at the boundary between secular drama and sacred oratorio. It takes place entirely in the hour before Jesus is seized in the Garden of Gethsemane, where he has gone with his three leading disciples, Peter, John, and James. There is scant scriptural evidence about the details of how Jesus passes this hour. Do his disciples ask him questions, and if so, how does he respond to them? Jesus prays to his Father, and we know something about what Jesus says in those prayers, but what does his Father, or possibly the heavenly host of angels, say to Jesus as he prays? Does the devil attempt to converse with Jesus in Gethsemane? If so, what does Satan understand about Jesus’s intentions, and what might Satan want to accomplish by such a conversation? How can Satan possibly convince Judas, who has walked alongside Jesus for three years and witnessed his many miracles, to betray Jesus?
Gethsemane proposes answers to those questions. Its theme, like the Orthodox reenactment of Holy Week, is the centrality and radical nature of Jesus’s lesson that mankind must learn sacrificial love to be reunited with God. Sacrificial love is not imaginable prior to the Crucifixion-not to the devil, nor to Jesus’s disciples (who see it as an obstacle to gaining followers, and who confuse it with weakness). Jesus’s decision to climb onto the cross not only accomplishes the objective of overcoming death, it makes it possible for his followers to understand and imitate his teaching of sacrificial love.
Gethsemane is a time for choosing, an ever-present where past and future coexist, visible and undivided, where creation, joy, beauty, pain, sacrifice, death, and resurrection reveal the loving thread that knits them together.
Charles Calomiris
Pano Hora, Colorado
Arnold Livingston Geis (Jesus, tenor); Sophie Delphis (Satan, mezzo-soprano); Suchan Kim (God the Father, baritone); Giuseppe Brent (Peter, baritone); Nick Nesbitt (John, tenor); Matthew Curran (James, track 3, bass); Rocky Sellers (James, track 2, bass). The Cathedral Choir of the Greek Orthodox Archdiocesan Cathedral of the Holy Trinity is directed by Costas Tsourakis.
Calomiris: Gethsemane — Overture
Complete · Da Vinci Classics
A listening selection from Charles Calomiris: Gethsemane, Opera in 1 Act · C01096
Selected awards, reviews and interviews. Radio broadcasts and podcasts are listed separately below.
Fanfare Magazine
Ken Meltzer · 50:1 Sept/Oct 2026
Read the review ↗Klassiek Centraal
Review · Werner De Smet · 22 July 2026
A positive assessment of Gethsemane’s lyrical and contemplative character, praising the text-focused singing, committed ensemble and recording balance.
Read the review ↗ - Klassiek CentraalTextura
Review · Ron Schepper · May 2026
A positive review praising the recording’s dramatic impact and the vocal contributions of Arnold Livingston Geis and Sophie Delphis.
Read the review ↗ - TexturaBresciaoggi
Review · Luigi Fertonani · 31 March 2026
Fertonani discusses the opera's dramatic treatment of Jesus, Satan and God the Father. The composer's official press page documents this Bresciaoggi review.
Read the review ↗ - Bresciaoggi