Off Topic Magazine
An enthusiastic account of Sonia Schiavone’s expressive singing and the musical character of Come-Eden.
Read the review ↗ - Off Topic MagazineDa Vinci Jazz
Fabio Gorlier, Gianni Virone, Sonia Schiavone, Stefano Profeta
Physical and Digital Release: 12 June 2020
Sonia Schiavone and her musical partners present Come-Eden!, exploring the relationship between vocal expression, instrumental colour and ensemble dialogue.
13.67€
Digital programme · 10 tracks
Track timings refer to the digital edition.
Fabio Gorlier studied piano at the Musical Institute of Alba under the guidance of Valter Protto and graduated from the Conservatory of Turin. Meanwhile, he approached jazz. He attended many courses about jazz piano and joined many seminars such as the International Seminars of Siena, Arquato Jazz and Nuoro Jazz. He graduated in Performing Arts from Turin University. He has been going through a remarkable concerts activity, and despite his being into jazz, he plays classical music and modern music too. He took part in many Italians festivals such as Torino Jazz Festival, MiTo, Dolomiti Ski Jazz, Europa Cantat, Venezia Jazz Festival and performed in some important theatres such as Teatro La Fenice in Venice or Auditorium “Giovanni Agnelli” in Turin. He also performed in Scotland, Ireland, France, Turkey, Australia, Croatia, Switzerland, Austria, Ecuador and China. He played with great musicians like Billy Cobham, Diane Schuur, Andy Sheppard, Furio di Castri, Kyle Eastwood, Stefano di Battista.
Sonia Schiavone. A Turinese singer, she began her studies of classical music at the age of seven, later continuing in the field of jazz music, by following many courses and workshops with internationally famous teachers, such as Sheila Jordan, Sandy Patton, Maria Pia De Vito, Bob Stoloff, Diana Torto, Garry Dial, John Riley, Mike Abene, John Taylor, Ben Allison, Stefano Battaglia and many others. She earned a degree in Architecture at the Politecnico of Turin with the highest score and with honours, and a degree in Jazz at the Conservatory Niccolò Paganini of Genoa with a dissertation about Wayne Shorter’s music, under the supervision of Paolo Silvestri. Over the years her versatile interests have encompassed voice and vocality in the broadest possible meaning; jazz, exploring all of its styles; gospel, operatic singing, a cappella vocal music; the development of childhood musicianship; harmonic singing; extemporaneous vocal improvisation. As a professional musician, she co-operated for twenty years with numerous jazz musicians. She performed in numerous festivals and seasons with her own eponymous projects. In the last twenty years, she has also actively and passionately focused on musical education. She has been awarded numerous prizes and honours at singing competitions of jazz, pop and gospel music, both as a performer and as a songwriter, including a First Prize at the “Gospel Showcase 2002”, during the Prima Rassegna Internazionale di Gospel, Blues, Spiritual & Black Music "Gospel in Castelbrando" in Cison di Valmarino (TV), organized by Cheryl Porter; First Prize at the “Talents 2002” Competition, in the section dedicated to jazz singing, organized by the Istituto musicale di Rivoli (Turin; the Diploma of Honour at the TIM Torneo Internazionale di Musica, Moncalieri (Turin), section Jazz; in 2012 she was a finalist at the XII Concorso Internazionale “Scrivere in Jazz” in Sassari – section Singing; in 2017 she was a finalist at the "19° Biella Festival Autori e Cantautori" with her original work "In viaggio".
Stefano Profeta began his musical studies at the age of nine with classical guitar; later he studied double bass at the State Conservatory of Music in Alessandria graduating with honors in double bass jazz and in Jazz Music, Polular and Improvised Music.
After a few stays in India he began to study sitar and rhythmic forms related to tabla, then deepening his knowledge of Indian music by following the courses of the Center for Oriental and Middle Eastern Studies in Turin.
Numerous are his collaborations in the jazz field, including those with John Riley, Alberto Mandarini, Kyle Gregory, Gianluigi Trovesi, Gianni Cazzola, Sandro Gibellini, Maria Pia De Vito, Joe Magnarelli and many others.
In addition to jazz, he has often worked in studio recordings and pop music tours.
He has, to his credit, a discography of 23 Cds, including jazz, pop, classical and ethnic music productions. He has played in tours and festivals in Italy, Spain, France, Croatia, Slovenia, Switzerland, Czech Republic, Argentina, Brazil, Uruguay.
Gianni Virone is a saxophonist, arranger and composer from Chieri, near Turin, Italy. Professionally active since 2002, he has worked with small ensembles, big bands and orchestras, and in recording sessions as an arranger, section player and soloist. He also performs his own compositions with his trio. His teaching encompasses saxophone, improvisation, jazz harmony, composition, arranging and big-band performance.
He graduated with the highest marks and honours from the Giuseppe Verdi Conservatory in Turin, studying with Furio Di Castri. He attended masterclasses in Italy and abroad with musicians including Dave Liebman, Airto Moreira, Jerry Bergonzi, Enrico Rava, Gianluigi Trovesi, Steve Coleman and Ayn Inserto. He received scholarships at Siena Jazz in 2002 and Nuoro Jazz in 2003, where he was also recognised as the best student. Following the Nuoro workshop, he was selected to perform at the 2004 Berchidda Jazz Festival.
In 2003 he won the Talens competition for jazz soloists organised by the Istituto Musicale di Rivoli, and attended the New School University’s summer workshop in Bassano del Grappa, where he was selected for a scholarship. He won the first national Nuovi Talenti del Jazz Italiano competition in 2004 and was a finalist that year in the Premio Nazionale Massimo Urbani. His writing for large jazz ensembles reached the finals of Barga Jazz in 2007 and Scrivere in Jazz in 2010 and 2014.
As both arranger and section player, he has worked with several big bands, playing saxophones, clarinet, bass clarinet and flute. His collaborators have included Paolo Fresu, Furio Di Castri, Roberto Gatto, Gianni Basso, John Riley, Fabrizio Bosso, Flavio Boltro, Javier Girotto, Rita Marcotulli, Scott Hamilton, Dusko Gojkovic, Jimmy Cobb, Philip Harper, Terell Stafford, Eric Vloeimans, Maria Pia De Vito, Danilo Rea, Emanuele Cisi, John De Leo, Nguyên Lê and Pietro Tonolo. He has been an endorser of the Italian saxophone maker Rampone & Cazzani since 2004.
Charles (Jr) Mingus
(b Nogales, AZ, 22 April 1922; d Cuernavaca, Mexico, 5 Jan 1979). American jazz double bass player, pianist, composer and bandleader.
Chick Corea was an American jazz pianist and composer. His work encompasses acoustic jazz, electric ensembles and chamber collaborations. Sonia Schiavone adds her own lyrics to his Windows on Come - Eden!.
Cristina Zavalloni is an Italian singer and composer whose work crosses jazz, contemporary music and other vocal traditions. Her Aspetto il silenzio is included in Sonia Schiavone’s Come - Eden!.
Joseph Myrow was an American composer and songwriter. His Autumn Nocturne, with lyrics by Kim Gannon, became part of the jazz repertoire and is included in Sonia Schiavone’s Come - Eden!.
McCoy Tyner was an American jazz pianist and composer, celebrated for his powerful sonority, modal language and work with John Coltrane as well as his own groups. Contemplation appears on Come - Eden! with lyrics adapted by Sonia Schiavone from Jean Carn.
Richard Rodgers was an American composer whose work helped shape twentieth-century musical theatre. My Favorite Things, with lyrics by Oscar Hammerstein II, is included in Sonia Schiavone’s Come - Eden!.
Sonia Schiavone is an Italian jazz singer, arranger and composer. Come - Eden! presents three original settings of Emily Dickinson poems alongside jazz standards and new lyrics for Chick Corea’s Windows. Its drumless ensemble features Fabio Gorlier, Stefano Profeta and Gianni Virone.
Thelonious Monk
(b Rocky Mount, NC, 10 Oct 1917; d Englewood, NJ, 17 Feb 1982). American jazz pianist and composer. Although he remained long misunderstood and little known, both his playing and his compositions had a formative influence on modern jazz.
“Come – Eden!” aims at being an album inspired by the sound of contemporary jazz, in a drumless, chamber-music atmosphere, which can bring out the sound of the various instruments. My original compositions are three: “Come – Eden!”, which lends its name to the album, “We will forget him” and “Day”, all inspired by as many intense poems by Emily Dickinson, as well as by the music of great composers I love, such as Horace Silver, Kenny Wheeler, Wayne Shorter, Joni Mitchell, Michel Legrand, while searching, by means of my voice, for an intimate and expressive world. Dickinson’s poetic style is essential; every element is elegantly chosen and functional to the overall result, rich in metaphors and able to convey their essence in a few concise words, so that extraordinary meanings emerge from the most common things; thus it was a great inspiration for my music and for myself. In this album are found also some of “My favorite things”, i.e. some of the songs I like most in these years: each piece has been carefully selected in view of the sound I could obtain through my arrangements. I have written original lyrics over a beautiful instrumental piece by Chick Corea, “Windows”, and I have adapted a text by Jean Carn set to “Contemplation”, evoking and imagining an atmosphere of meditative introspection! Enjoy your listening!
Sonia Schiavone
Selected awards, reviews and interviews. Radio broadcasts and podcasts are listed separately below.
Off Topic Magazine
Review · Mario Grella · 10 July 2020
An enthusiastic account of Sonia Schiavone’s expressive singing and the musical character of Come-Eden.
Read the review ↗ - Off Topic MagazineJazz Convention
Review · Fabio Ciminiera · 10 January 2021
Ciminiera welcomes the balance between jazz tradition and personal expression, praising the flexible chamber ensemble and an approach that keeps the melodic character of the songs in focus.
Read the review ↗ - Jazz ConventionJazz Journal
Review · Peter Gamble · 5 November 2020
A broadly positive review praising Schiavone's phrasing, repertoire and original ballads, while noting reservations about aspects of her vocal timbre and scat technique.
Read the review ↗ - Jazz Journal
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