The Armenian National Philharmonic Orchestra and Eduard Topchjan open a Beethoven symphony cycle with Symphonies Nos. 4 and 5. Volume 1 is forthcoming from Da Vinci Classics in May 2027.
Dario Zingales, Paolo Taballione and Alessandro Misciasci explore Verdi’s operatic imagination through fantasias, instrumental solos and songs. A new Da Vinci Classics recording, coming in June 2027.
Nova et Vetera places Sicilian musical memory in the hands of contemporary composers. Its different approaches make a useful distinction between documenting a tradition and composing with it.
Lachrymae changes the usual order of theme and variations. Its encounter with Dowland allows the ending to disclose the source of a musical journey already undertaken.
Eduard Sánchez and Enrique Bagaría announce Spring Times: Czerny, Beethoven and three world premiere recordings for flute and piano, coming in May 2027.
The frontispiece of Anna Bon’s first published collection places her flute sonatas within a professional world of patrons, performers and music publishing.
In Prélude, Choral et Fugue, the return of earlier material changes the way the listener understands the whole. Musical memory becomes a means of construction.
Letizia Calandra and Marcos Madrigal explore Ildebrando Pizzetti’s songs for voice and piano in a new Da Vinci Classics recording, coming in 2027.
In solo piano, melody, harmony and rhythm share one instrument. Their changing relationships help explain how a performance can keep moving even when its beat is no longer stated.
Written for string quartet in 1890, Crisantemi opens a path into Puccini’s theatre through music that first existed without a stage or a singer.
