Johann Sebastian Bach: Sämtliche Klavierwerke I – Toccaten




  • EAN Code: 8.0681050884
  • Format: 1 Cd
  • Genre: Instrumental
  • Instrumentation: Piano
  • Period: Baroque
SKU: C00004 Category:

Additional information




EAN Code






FROM ALBUM NOTES by Marco Beccari:

The term “Toccata” refers to an instrumental composition with a maximum of virtuosity and a free form. It is generally intended, according to different musical periods, to be played with the lute, the organ, the harpsichord or the piano. Its introductory function and improvisatory characteristic style made it a free-form where brilliantly virtuosic passages co-existed with other more meditative or strictly polyphonic ones. The word toccata first appears in a publication of 1536 in an Italian collection of lute music. It was not until the 1590s, however, that the term came into more general use to describe keyboard pieces that called for a dexterity in performance involving runs and arpeggios.
Andrea Gabrieli (c.1520-1586) and Claudio Merulo (1533-1604) are generally quoted as being the authors of the first “Toccatas”. In particular, Frescobaldi (1583-1643) raised the “Toccata” to its highest before Johann Sebastian Bach. […]


Johann Sebastian Bach: (b Eisenach, 21 March 1685, d Leipzig; 28 July 1750). Composer and organist. The most important member of the family, his genius combined outstanding performing musicianship with supreme creative powers in which forceful and original inventiveness, technical mastery and intellectual control are perfectly balanced. While it was in the former capacity, as a keyboard virtuoso, that in his lifetime he acquired an almost legendary fame, it is the latter virtues and accomplishments, as a composer, that by the end of the 18th century earned him a unique historical position. His musical language was distinctive and extraordinarily varied, drawing together and surmounting the techniques, the styles and the general achievements of his own and earlier generations and leading on to new perspectives which later ages have received and understood in a great variety of ways.
The first authentic posthumous account of his life, with a summary catalogue of his works, was put together by his son Carl Philipp Emanuel and his pupil J.F. Agricola soon after his death and certainly before March 1751 (published as Nekrolog, 1754). J.N. Forkel planned a detailed Bach biography in the early 1770s and carefully collected first-hand information on Bach, chiefly from his two eldest sons; the book appeared in 1802, by when the Bach Revival had begun and various projected collected editions of Bach’s works were underway; it continues to serve, together with the 1754 obituary and the other 18th-century documents, as the foundation of Bach biography.


Soraci, Pietro (Pianist) born in Catania, Italy, showed his extraordinary natural talent in playing the piano since he was three years old, gaining the interest of the national press and televisions. He performed first when he was eleven, with the Orchestra of Bellini Opera Theater. He graduated with the highest score, cum laude, and honored with a special award of appreciation. After experiencing different approaches to the piano music and techniques through the contact with some of the major teachers he was awarded of several prizes in national and international piano competitions and in particular he was recognized as the best Italian pianist by the international piano competition “Frederic Chopin” in Varsaw (Polen) in 1985. Currently, he performs all over Europe and Italy by the main Music Institutions and Concert Seasons both as soloist and in ensembles. Moreover he is full Professor for the major degree in piano music by the Conservatorio di Milano “G. Verdi”. Has recently undertaken (by Da Vinci classics) the complete opera recording of Bach keyboard on critical edition with Barenreiter patronage.

Album Preview