MusicVoice
Artistic assessment: 4.5/5; technical assessment: 4/5. Read Andrea Bedetti’s review of the recording.
Read the review ↗ - MusicVoiceDa Vinci Classics
13.67€
Digital programme · 11 tracks
Track timings refer to the digital edition.
ACHROME Ensemble brings together six musicians committed to modern and contemporary chamber music. Its members began performing together in 2013, with the support of composers Davide Anzaghi, Pieralberto Cattaneo, Simone Fontanelli and Paolo Coggiola. Conducted by Marcello Parolini, the ensemble comprises flautist Antonella Bini, clarinettist Stefano Merighi, violinist Elia Mariani, cellist Emanuele Rigamonti and pianist Gabriele Rota.
Based in Bergamo, the ensemble presents the contemporary music series …e adesso musica! at Sala Piatti, in collaboration with MusicAperta, and organises an international call for scores. Its programmes combine twentieth-century repertoire with new works, including world and Italian premieres developed in close collaboration with composers. Its Da Vinci Classics recordings include Davide Anzaghi’s Chamber Music Works and Music for Dummies, featuring music by Federico Biscione, Alberto Cara and Paolo Coggiola.
Davide Anzaghi began his musical studies with his father, the musician Luigi Oreste Anzaghi, and achieved international success as a young accordionist before devoting himself to composition. He studied at the Giuseppe Verdi Conservatory in Milan, where he later taught.
His music received major recognition in the early 1970s. In 1972 he won the National Composition Competition in Treviso, whose jury was chaired by Gian Francesco Malipiero. In 1974 his orchestral work Ausa won the Olivier Messiaen International Composition Competition, awarded by a jury including György Ligeti, Witold Lutosławski, Iannis Xenakis and Ton de Leeuw, with Messiaen himself as chair.
Anzaghi’s engagement with contemporary musical thought has retained a strong belief in the emotional and aesthetic dimensions of musical language. His output includes orchestral, chamber, vocal and solo instrumental works.
The son of musician Luigi Oreste Anzaghi, Davide Anzaghi began his musical career as a very young performer in 1950, and began winning international competitions in 1952. He soon discovered his vocation for composition. In the early 1970s he renewed his approach to musical writing, and in 1972 he won the National Composition Competition in Treviso, judged by a jury chaired by Gian Francesco Malipiero. In 1974 he won the Olivier Messiaen International Composition Competition, whose jury included György Ligeti, Ton de Leeuw, Witold Lutosławski and Iannis Xenakis, and was chaired by Messiaen himself.
Anzaghi’s engagement with late twentieth-century musical thought was never ideological. In his compositions he continued to affirm the emotional and aesthetic dimensions of musical language, rather than pursuing experimentation as an end in itself. His outlook is expressed in the motto: “The denial of communication finds its resolution in the communication of negation.”
For Anzaghi, composition is a vocation rather than an act of will. This recording presents significant examples of his work, alternating pieces for ensemble with works for duo. It offers a considered selection from the Milanese composer’s creative journey: music that aspires to be loved even before it is admired.
Album notes by Davide Anzaghi. Original English translation by Theresa Williams; language revised.
Selected awards, reviews and interviews. Radio broadcasts and podcasts are listed separately below.
MusicVoice
Review · Andrea Bedetti · 25 August 2021
4.5/5
Artistic assessment: 4.5/5; technical assessment: 4/5. Read Andrea Bedetti’s review of the recording.
Read the review ↗ - MusicVoice