Da Vinci Edition

Maria Gabriella Mariani: Hologram [Ologramma], Theme, 17 Variations and Finale with improvisation, for Piano (2014)

Maria Gabriella Mariani

DV 11008A4 - PaperbackPiano

15.90€

ComposersMaria Gabriella MarianiBiographies

Maria Gabriella Mariani is an Italian pianist, composer and writer who studied first in Italy and then in France. Alongside her concert career, she has devoted herself to composition since 2008. Her first CD, Presenze (2008), contains seven solo piano works inspired by her first novel of the same name. That year she also composed Fun Tango: Three Radiant Flows of a Single Matrix, a piano work in three movements for which she received three Global Music Awards in 2017, as both composer and performer. Her novel Imperfect Consonances is linked to Fun Tango; both were published in 2010.

In 2009 she composed Il cielo s’inabissa (The Sky Sinks) and Traces, a piano sonata in three movements. In 2014 she recorded Riflessi (Reflections), solo piano pieces connected to her collection of stories of the same name, centred on an imaginary wheel of time.

In 2011 she dedicated the sonata Pour jouer to her teacher Aldo Ciccolini and performed it in his presence in 2014 at the official event “Tribute to Aldo Ciccolini.” After the performance, he said publicly: “I recognised myself very often during the performance of this piece—a masterly performance that also reveals a truly exceptional personality, that of Mariani, with extraordinary pianistic resources. I express my emotion, all my feeling, on hearing this monumental work dedicated to me.”

In 2013 she composed Solo and In the Name of the Father and the Son. The latter, for two voices, piano and chamber orchestra, is connected to a theatrical libretto of the same name, also written by Mariani as a novel. Further compositions include Ologramma: Theme, 17 Variations and Finale with Improvisation (2014) and Kinderliana (2017), a collection of pieces connected to her Fairy Tales of Doracia.

She has performed her compositions at major Italian theatres, conservatories, festivals and concert associations. Her music has been broadcast by RAI TRE, RSI in Lugano and Radio Classica’s “Il Pianista,” and has received appreciative assessments and reviews in leading music magazines. Some of her scores are published by Da Vinci Publishing in Osaka.

About this edition

The theme in C major is simple and short, to lend itself more to a series of variations that amplify the scope and the plurality of characterizations. The system thus becomes orchestral and this determines a virtuosic character that gradually permeates the whole composition. In reality it is not an explosive and referential virtuosity, but only the result of an undoubted difficulty of making the orchestral conception on the piano; on the other hand, in several moments the expressive language becomes intimate, suffused and curt. The piece can be performed by adding the original ending to the Finale, or, before closing, creating an extemporaneous conclusion that acts as a conclusive variation, a sort of cadence that is however placed at the end of the piece. The relevance with the title is dictated by the action of the laser light beam that is printed on a plate making it legible in different dimensions, just like these variations, one connected to the other and all linked together.

 

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Edition details

Music & contributors

Instrumentation
Piano

Publication

Pages
48
Publication year
2018